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{"id":6584936792151,"title":"River Stones","handle":"river-stones","description":"\u003cp\u003eTurn it this way, turn it that. River Stones is more than it appears. This interactive sculpture by Tim Christensen is an art toy for grown ups.\u003c\/p\u003e\n\u003cp\u003eThe porcelain form, representative of a rock smoothed by the current, is decorated in carved water like lines and curves. Rounded crater-like grooves hold luminous glazed balls of varying size. When the orbs are moved from one divot to another they make a wonderful vibration and gentle tinging sound. Flip the whole piece over to reveal different size options.\u003c\/p\u003e\n\u003cp\u003eLike a river in ever-changing motion, River Stones evokes dynamic energy and the constant opportunity to see the piece in new ways. It is sure to be a playful conversation piece and a constant delight.\u003c\/p\u003e\n\u003cp\u003e- Measures 13” x 6.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-02-02T23:33:58-05:00","created_at":"2021-08-11T10:02:35-04:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":360000,"price_min":360000,"price_max":360000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39371506286679,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCRST","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"River Stones","public_title":null,"options":["Default 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River Stones is more than it appears. This interactive sculpture by Tim Christensen is an art toy for grown ups.\u003c\/p\u003e\n\u003cp\u003eThe porcelain form, representative of a rock smoothed by the current, is decorated in carved water like lines and curves. Rounded crater-like grooves hold luminous glazed balls of varying size. When the orbs are moved from one divot to another they make a wonderful vibration and gentle tinging sound. Flip the whole piece over to reveal different size options.\u003c\/p\u003e\n\u003cp\u003eLike a river in ever-changing motion, River Stones evokes dynamic energy and the constant opportunity to see the piece in new ways. It is sure to be a playful conversation piece and a constant delight.\u003c\/p\u003e\n\u003cp\u003e- Measures 13” x 6.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":4625512169559,"title":"Here’s To You... Cup","handle":"here-s-to-you-cup","description":"\u003cp\u003eHave you ever had a bird eat from your hand? Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3.75\" x 3.25\" \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3.75\" x 3.25\" \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":6660507762775,"title":"Dark Woods","handle":"dark-woods","description":"\u003cp\u003e“This is the forest primeval.” Longfellow wrote of hemlocks and pines, moss covered and rich with ancient knowledge. As we walk among them, the light filtered through towering conifers can play tricks on the eye. With so much to see it can be easy to miss what’s right before us.\u003c\/p\u003e\n\u003cp\u003eDark Woods brings the forest home to the viewer. The moments we often cannot see, hidden by the creatures that call the woods home. A bobcat slinking through the brush as a Fisher cat pops her head out of her den to stalk a porcupine. Trumpet and puffball mushrooms sprout through the damp earth as a snapping turtle lumbers towards a salmon stream. Winterberries, ferns and Jack In the Pulpit wind up the five part tower. Each section is its own world with new elements to discover.\u003c\/p\u003e\n\u003cp\u003e- Measures 13.75\" x 5.5\" \u003cbr\u003e- Wood fired porcelain \u003cbr\u003e- Stacking vessels, 5 total with lid\u003cbr\u003e- Every surface includes unique design\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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As we walk among them, the light filtered through towering conifers can play tricks on the eye. With so much to see it can be easy to miss what’s right before us.\u003c\/p\u003e\n\u003cp\u003eDark Woods brings the forest home to the viewer. The moments we often cannot see, hidden by the creatures that call the woods home. A bobcat slinking through the brush as a Fisher cat pops her head out of her den to stalk a porcupine. Trumpet and puffball mushrooms sprout through the damp earth as a snapping turtle lumbers towards a salmon stream. Winterberries, ferns and Jack In the Pulpit wind up the five part tower. Each section is its own world with new elements to discover.\u003c\/p\u003e\n\u003cp\u003e- Measures 13.75\" x 5.5\" \u003cbr\u003e- Wood fired porcelain \u003cbr\u003e- Stacking vessels, 5 total with lid\u003cbr\u003e- Every surface includes unique design\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6660526997591,"title":"Dory","handle":"dory","description":"\u003cp\u003eWith the longest coastline in the lower forty-eight, 6,000 lakes, and over 32,000 miles of running water, it only makes sense the Maine is known for a history steeped in boatbuilding. From Old Town canoes to the steel giants of Bath Iron Works, hand-crafted skiffs at The Carpenter’s Boat Shop to industrious tugs built by Washburn and Doughty. It’s fair to say we love our boats.\u003c\/p\u003e\n\u003cp\u003eAside from contributing to the economy, Maine’s boating tradition helps us connect in unique ways with the natural world. Tuck into a hidden cove, find a group of stripers under a bridge, paddle out to camp on an island surrounded by loon song. The possibilities for beautiful adventure are just a few oar strokes away.\u003c\/p\u003e\n\u003cp\u003eDory by Tim Christensen can remind you love of a good drift even when the streams are frozen over. The traditional style canoe is formed in porcelain and wood fired. Sgraffito patterns of waving current and tiny air bubbles dance along the underside while a lone salmon lays across the center yoke.\u003c\/p\u003e\n\u003cp\u003eKeep your paddle handy, the streams always thaw.\u003c\/p\u003e\n\u003cp\u003e- Measures 11.75\" x 4\" x 2.25\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.","published_at":"2023-02-02T20:56:38-05:00","created_at":"2021-11-28T13:59:01-05:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":70000,"price_min":70000,"price_max":70000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39499778916439,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCDORY","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dory","public_title":null,"options":["Default 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USA","id":22382325137495,"position":6,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgrafittoArtbyTimChristensenContemporaryNatureInspiredCeramicDoryMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-3.jpg?v=1675389149"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgrafittoArtbyTimChristensenContemporaryNatureInspiredCeramicDoryMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-3.jpg?v=1675389149","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWith the longest coastline in the lower forty-eight, 6,000 lakes, and over 32,000 miles of running water, it only makes sense the Maine is known for a history steeped in boatbuilding. From Old Town canoes to the steel giants of Bath Iron Works, hand-crafted skiffs at The Carpenter’s Boat Shop to industrious tugs built by Washburn and Doughty. It’s fair to say we love our boats.\u003c\/p\u003e\n\u003cp\u003eAside from contributing to the economy, Maine’s boating tradition helps us connect in unique ways with the natural world. Tuck into a hidden cove, find a group of stripers under a bridge, paddle out to camp on an island surrounded by loon song. The possibilities for beautiful adventure are just a few oar strokes away.\u003c\/p\u003e\n\u003cp\u003eDory by Tim Christensen can remind you love of a good drift even when the streams are frozen over. The traditional style canoe is formed in porcelain and wood fired. Sgraffito patterns of waving current and tiny air bubbles dance along the underside while a lone salmon lays across the center yoke.\u003c\/p\u003e\n\u003cp\u003eKeep your paddle handy, the streams always thaw.\u003c\/p\u003e\n\u003cp\u003e- Measures 11.75\" x 4\" x 2.25\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live."}

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{"id":6765047513175,"title":"Female Hooded Merganser","handle":"female-hooded-merganser","description":"\u003cp\u003eYear-round the Hooded Merganser paddles through the waterways of Maine. The only of its species native to North America, the small but hearty waterfowl is always a treat to see. The male Hooded Merganser is easily recognizable with his bright white crest and piercing yellow eyes. Like many female birds, the hen is more muted. Still sporting a bold crest her colors are a lovely range of warm browns, better for nesting camouflage. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's Female Hooded Merganser may not have the color and markings of her animated counterpart. Her form and beauty are captured in elegantly etched porcelain, illuminated by the glow only achieved by a wood fired kiln. \u003c\/p\u003e\n\u003cp\u003e- Measures 6.5\" x 12\" x 4\"\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. 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My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}