Tim Christensen

The Good Supply Pemaquid Maine Environmental Artist Tim Christensen Ceramic Sgraffito Sculpture Made in USA

Walrus Cup

$160.00

Walrus Cup

$160.00
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Cheers to warm drinks by warmer fires, snow that glitters like diamonds, and the magical glow of the northern lights dancing above.\u003c\/p\u003e\n\u003cp\u003eCheers to wind, ice, and deep winter as well as the animals that thrive among it all!\u003c\/p\u003e\n\u003cp\u003e- Measures 4” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. 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I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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So cheers! Cheers to warm drinks by warmer fires, snow that glitters like diamonds, and the magical glow of the northern lights dancing above.\u003c\/p\u003e\n\u003cp\u003eCheers to wind, ice, and deep winter as well as the animals that thrive among it all!\u003c\/p\u003e\n\u003cp\u003e- Measures 4” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Light In Water

$2,400.00
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They are making their way across the surface through bands of pattern, texture, and tone.\u003c\/p\u003e\n\u003cp\u003eLike his functional ceramic pieces, this large wall hanging by Tim Christensen is a study in the moment, nature, and light. The grey tones created by the reactions in the salt kiln vary much like sunlight in the ocean, catching on scales and fading in the depths. \u003c\/p\u003e\n\u003cp\u003e- Measures 27” tall x 13” wide  x 4\" deep\u003cbr\u003e- Salt-fired stoneware and porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

King Penguin

$1,100.00

King Penguin

$1,100.00
{ "addToCartText": "Add", "enableHistory": true, "linkedOptions": true }
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Truly regal, the figure stands over a foot high and commands the room with his sharp graphic decoration and graceful lines.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Measures 14\" tall x 5\" diameter\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-12-18T07:48:17-05:00","created_at":"2020-09-29T11:21:06-04:00","vendor":"Tim Christensen","type":"porcelain","tags":[],"price":110000,"price_min":110000,"price_max":110000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32362395467863,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCKP","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"King 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His feathers are adorned with patterns of sea spray and bubbles of foam. His back is draped with patterns of woven fishing net marking a possible narrow escape.\u003c\/p\u003e\n\u003cp\u003eUpon his breast is a pod of orcas, a scoff to an ancient predator or perhaps, a holding place for the courage to be a part of the interconnected order of sea life. A collar of flamelike kelp grants the finishing touch to the grand ensemble. \u003c\/p\u003e\n\u003cp\u003eHand-carved details in black slip on white porcelain are Tim Christensen's specialty. Truly regal, the figure stands over a foot high and commands the room with his sharp graphic decoration and graceful lines.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Measures 14\" tall x 5\" diameter\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Here’s To You... Cup

$160.00
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{"id":4625512169559,"title":"Here’s To You... Cup","handle":"here-s-to-you-cup","description":"\u003cp\u003eHave you ever had a bird eat from your hand? Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3\" tall \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. 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These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3\" tall \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Great American Diver

$1,100.00
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Where she'll pop up again is anyone's guess.\u003c\/p\u003e\n\u003cp\u003eTruly a \"Great American Diver,\" Tim Christensen's homage to the common loon beautifully captures the organic, graphic appeal of one of Maine's signature birds. \u003c\/p\u003e\n\u003cp\u003e- Measures 8\" tall x 14” long x 6” wide\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. 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The calls range from a haunting wail to the staccato tremolo or \"crazy laugh\" skimming across the water and filling the evening air.\u003c\/p\u003e\n\u003cp\u003eSpotting the source of the mysterious sounds can be a challenge of its own. Dark and sleek, sitting low on the waterline, red eyes peer from a head so inky black it appears almost two dimensional. Trailing down its back to tail are a myriad of white spots, as if she had been caught in a sudden blizzard.\u003c\/p\u003e\n\u003cp\u003eAs soon as you catch a glimpse, bloop! She dives below the surface in a blink. Where she'll pop up again is anyone's guess.\u003c\/p\u003e\n\u003cp\u003eTruly a \"Great American Diver,\" Tim Christensen's homage to the common loon beautifully captures the organic, graphic appeal of one of Maine's signature birds. \u003c\/p\u003e\n\u003cp\u003e- Measures 8\" tall x 14” long x 6” wide\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Fraser Island Life

$400.00
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{"id":4625510269015,"title":"Fraser Island Life","handle":"fraser-island-life","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eShimmering butterfish swim among a group of longfin squid under the watchful eyes of wise sea turtles above and mysterious sperm whales below. Layered against lines of bright white and rising bubbles, the group lives in harmony on the elegant hand-thrown form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 10” tall x 3”diameter\u003cbr\u003e- Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. 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Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. 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Layered against lines of bright white and rising bubbles, the group lives in harmony on the elegant hand-thrown form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 10” tall x 3”diameter\u003cbr\u003e- Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Dragonfly Cup

$160.00
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{"id":4625505452119,"title":"Dragonfly Cup","handle":"dragonfly-cup","description":"\u003cp\u003eThe delicate guardians of the marsh. Agile and fierce yet still and seemingly contemplative, the dragonfly is a sign of high summer in Maine. Whether zipping overhead at dusk doing a number on mosquitos and other pesky bugs, or patrolling the reeds along the pond's edge, they are a vital part of our ecosystem.\u003c\/p\u003e\n\u003cp\u003eTim Christensen takes his inspiration from the nature around his studio by the sea. His 'Dragonfly Cup' is covered with wings overlapping in a dance of geometric shapes and light. The nimble athletes hum and flit across the surface in a continuous gift to the eye. \u003c\/p\u003e\n\u003cp\u003e- Measures 4” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. 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Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. 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Agile and fierce yet still and seemingly contemplative, the dragonfly is a sign of high summer in Maine. Whether zipping overhead at dusk doing a number on mosquitos and other pesky bugs, or patrolling the reeds along the pond's edge, they are a vital part of our ecosystem.\u003c\/p\u003e\n\u003cp\u003eTim Christensen takes his inspiration from the nature around his studio by the sea. His 'Dragonfly Cup' is covered with wings overlapping in a dance of geometric shapes and light. The nimble athletes hum and flit across the surface in a continuous gift to the eye. \u003c\/p\u003e\n\u003cp\u003e- Measures 4” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

Wren's Stein

$175.00
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{"id":4625517445207,"title":"Wren's Stein","handle":"wrens-stein","description":"\u003cp\u003eAn Old High German fable tells the story of how the wren became the King Of Birds, t\u003cspan data-mce-fragment=\"1\"\u003ehe \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" title=\"Old High German (ca. 750-1050) language text\" lang=\"goh\"\u003ekuningilin\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStory goes that the bird who could fly to the highest altitude would be made king. The powerful eagle\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e easily outflew all others. Once aloft he was surprised to find a small bird had hidden in his plumage. The wren flew above the eagle, claiming his crown. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile not brightly-colored like his friend the goldfinch or the ostentatious cardinal, the wren's unassuming plumage holds a song like no other. Its song is complex and trilling with seemingly impossible numbers of notes in each second. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe king of song graces the surface of a stein perfect for toasting the underdog - to perseverance, to life!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 5” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-12-18T12:49:40-05:00","created_at":"2020-09-29T11:34:05-04:00","vendor":"Tim Christensen","type":"porcelain","tags":[],"price":17500,"price_min":17500,"price_max":17500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32362403430487,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCWRS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wren's Stein","public_title":null,"options":["Default Title"],"price":17500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA-Square.jpg?v=1608313553","\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA.jpg?v=1608313562"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA-Square.jpg?v=1608313553","options":["Title"],"media":[{"alt":"The Good Supply Pemaquid Maine Environmental Artist Tim Christensen Ceramic Sculpture Sgraffito Wren's Stein Made in USA","id":7028467794007,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA-Square.jpg?v=1608313506"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA-Square.jpg?v=1608313506","width":500},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Tim Christensen Ceramic Sculpture Sgraffito Wren's Stein Made in USA","id":7028467826775,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA.jpg?v=1608313505"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0203\/9306\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Tim-Christensen-Ceramic-Sculpture-Sgraffito-Wrens-Stein-Made-in-USA.jpg?v=1608313505","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAn Old High German fable tells the story of how the wren became the King Of Birds, t\u003cspan data-mce-fragment=\"1\"\u003ehe \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" title=\"Old High German (ca. 750-1050) language text\" lang=\"goh\"\u003ekuningilin\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStory goes that the bird who could fly to the highest altitude would be made king. The powerful eagle\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e easily outflew all others. Once aloft he was surprised to find a small bird had hidden in his plumage. The wren flew above the eagle, claiming his crown. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile not brightly-colored like his friend the goldfinch or the ostentatious cardinal, the wren's unassuming plumage holds a song like no other. Its song is complex and trilling with seemingly impossible numbers of notes in each second. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe king of song graces the surface of a stein perfect for toasting the underdog - to perseverance, to life!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 5” tall\u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

August Mixed Flock

$400.00
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Towering maple, hemlock, and pines hold a daily overture with the rising chorus of songbirds welcoming the sun.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFluttering chickadees, the hopping Nuthatch, and a curious Junco are overseen by a Downy Woodpecker in Tim Christensen’s August Mixed Flock. Finely-etched black slip on porcelain, the bold contrasting lines mixed with delicate details create a world both dense in subject and balanced in its use of light.\u003c\/p\u003e\n\u003cp\u003e- Measures 11” tall x 4”diameter\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. 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Towering maple, hemlock, and pines hold a daily overture with the rising chorus of songbirds welcoming the sun.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFluttering chickadees, the hopping Nuthatch, and a curious Junco are overseen by a Downy Woodpecker in Tim Christensen’s August Mixed Flock. Finely-etched black slip on porcelain, the bold contrasting lines mixed with delicate details create a world both dense in subject and balanced in its use of light.\u003c\/p\u003e\n\u003cp\u003e- Measures 11” tall x 4”diameter\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio in the seaside town of Roque Bluffs, Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist Statement \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"My work is about the ever-changing web of relationships that surround us.  Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\"\u003c\/span\u003e\u003c\/p\u003e"}

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