Bear Woman Hunting Black Trumpets Cup

Tim Christensen

Bear Woman Hunting Black Trumpets Sgrafitto porcelain ceramic cup by Tim Christensen Environmental Art Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA
  • Bear Woman Hunting Black Trumpets Sgrafitto porcelain ceramic cup by Tim Christensen Environmental Art Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA
  • Bear Woman Hunting Black Trumpets Sgrafitto porcelain ceramic cup by Tim Christensen Environmental Art Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA
  • Bear Woman Hunting Black Trumpets Sgrafitto porcelain ceramic cup by Tim Christensen Environmental Art Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA
  • $165.00

Ceramics is one of our oldest art forms. Along with functionality, the form and surface allows us an opportunity for storytelling. Myths and legends move through time by spoken and written word along with imagery. From cave walls to clay vessels, all decorated with scenes of domesticity and fantastic adventure. Magical creatures seeking for mushrooms on the mossy forest floor is a legend for the ages that brushes with the fact that some scientists hypothesize that earlier humans were able to thrive as they looked to bears for lessons in foraging.

Taking inspiration from our ancestors ,Tim Christensen looks to the past to inspire the future with work that aims to speak to anyone at any point in history. How is a story best told, and what will the future think of us?

Living by the dark waters of Downeast Maine, Tim Christensen's work is inspired by his surroundings and passions. Whether it be a walk in the woods or a month long sea journey, each piece tells a story of our place in community with the natural world.

- Measures 3.5” x 5” x 3.25” diameter
- Wood fired porcelain
- Sgraffito
- Wash by hand

Ceramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.

Tim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.

Tim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.

From the Artist:

My work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources.

In this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past.

This is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly.

My goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.

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