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{"id":3933845520471,"title":"Midden No. 15","handle":"midden-no-15","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMade from recycled ceramic materials, this glaze and clay art composite boasts the breezy colors of the coast and mimics the cool fluidity of the tide at a still moment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wall object is a perfect bridge into the realm of sculpture for anyone who wishes to expand his, her, or their art collection beyond 2D wall art. In essence, it is a 3D sculpture, layered and textured, designed to hang on the wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt will never fade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCreated by ceramic artist Jonathan Mess, an avid fisherman who spends as much time as possible on the  water on nearby Damariscotta Lake or the rocky coast of the Bristol peninsula, the energy present in this work is intentional. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe archaeological influence is just one of the many namesake features that make this a special piece of contemporary ceramic art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Measures 12” x 13” x 2.75”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e- May require additional shipping\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-11-13T17:54:56-05:00","created_at":"2019-07-23T10:38:42-04:00","vendor":"Jonathan Mess","type":"Sculpture","tags":[],"price":80000,"price_min":80000,"price_max":80000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29423480635479,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"JMMD15","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midden No. 15","public_title":null,"options":["Default Title"],"price":80000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Square.jpg?v=1605308055","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Feature.jpg?v=1605308061","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-1.jpg?v=1605308065","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-2.jpg?v=1605308070","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-3.jpg?v=1605308077"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Square.jpg?v=1605308055","options":["Title"],"media":[{"alt":"The Good Supply Midcoast Artisan Store Midden No 15 by Environmental Artist Jonathan Mess Made in Maine USA","id":6933134966871,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Square.jpg?v=1605308055"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Square.jpg?v=1605308055","width":500},{"alt":"The Good Supply Midcoast Artisan Store Midden No 15 by Environmental Artist Jonathan Mess Made in Maine USA","id":6933135261783,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Feature.jpg?v=1605308061"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Feature.jpg?v=1605308061","width":600},{"alt":"The Good Supply Midcoast Artisan Store Midden No 15 by Environmental Artist Jonathan Mess Made in Maine USA","id":6933135360087,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-1.jpg?v=1605308065"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-1.jpg?v=1605308065","width":600},{"alt":"The Good Supply Midcoast Artisan Store Midden No 15 by Environmental Artist Jonathan Mess Made in Maine USA","id":6933135720535,"position":4,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-2.jpg?v=1605308070"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-2.jpg?v=1605308070","width":600},{"alt":"The Good Supply Midcoast Artisan Store Midden No 15 by Environmental Artist Jonathan Mess Made in Maine USA","id":6933135818839,"position":5,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-3.jpg?v=1605308077"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Midcoast-Artisan-Store-Midden-No-15-by-Environmental-Artist-Jonathan-Mess-Made-in-Maine-USA-Detail-3.jpg?v=1605308077","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMade from recycled ceramic materials, this glaze and clay art composite boasts the breezy colors of the coast and mimics the cool fluidity of the tide at a still moment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis wall object is a perfect bridge into the realm of sculpture for anyone who wishes to expand his, her, or their art collection beyond 2D wall art. In essence, it is a 3D sculpture, layered and textured, designed to hang on the wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt will never fade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCreated by ceramic artist Jonathan Mess, an avid fisherman who spends as much time as possible on the  water on nearby Damariscotta Lake or the rocky coast of the Bristol peninsula, the energy present in this work is intentional. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe archaeological influence is just one of the many namesake features that make this a special piece of contemporary ceramic art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Measures 12” x 13” x 2.75”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e- May require additional shipping\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e"}

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{"id":4599441096791,"title":"Gold Leaf Moon Tumbler","handle":"gold-leaf-moon-tumbler","description":"\u003cp\u003eThe power of the moon, forever pulling at the tides and our hearts. Let its soft glow in with Slow Studio's Moon Tumbler. Fill with tea to warm hands on a brisk morning or pour in a yummy cocktail to enjoy by the fire. Each piece is hand thrown, dipped in matte glaze while leaving a band of raw clay along the bottom for a lovely contrast. Gold moon detail adds a glimmer that's just the right amount of magical.\u003c\/p\u003e\nPlease note that some slight variation between mugs may occur due to being hand made\n\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e- Measures 3.25- 3.5\" wide x 4-5\" high\u003cbr\u003e - Approximately 16 oz. capacity \u003cbr\u003e - Earthenware ceramic body\u003cbr\u003e - Dishwasher safe\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e","published_at":"2020-12-01T10:25:40-05:00","created_at":"2020-08-18T10:20:24-04:00","vendor":"Slow Studio","type":"Mug","tags":[],"price":4000,"price_min":4000,"price_max":4000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32434987270231,"title":"First Quarter Right","option1":"First Quarter Right","option2":null,"option3":null,"sku":"SLMOONFQR","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gold Leaf Moon Tumbler - First Quarter Right","public_title":"First Quarter Right","options":["First Quarter Right"],"price":4000,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":32434987302999,"title":"Waxing Gibbous","option1":"Waxing Gibbous","option2":null,"option3":null,"sku":"SLMNWG","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gold Leaf Moon Tumbler - Waxing Gibbous","public_title":"Waxing Gibbous","options":["Waxing Gibbous"],"price":4000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39457198506071,"title":"Full Moon","option1":"Full Moon","option2":null,"option3":null,"sku":"SLGMFM","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gold Leaf Moon Tumbler - Full Moon","public_title":"Full Moon","options":["Full Moon"],"price":4000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40196202070103,"title":"Sideways First Quarter","option1":"Sideways First Quarter","option2":null,"option3":null,"sku":"SLMOONSFQ","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gold Leaf Moon Tumbler - Sideways First Quarter","public_title":"Sideways First Quarter","options":["Sideways First Quarter"],"price":4000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40196202102871,"title":"First Quarter Left","option1":"First Quarter Left","option2":null,"option3":null,"sku":"SLMNFQL","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gold Leaf Moon Tumbler - First Quarter Left","public_title":"First Quarter Left","options":["First Quarter Left"],"price":4000,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA-Square.jpg?v=1606836315","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA.jpg?v=1606836321"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA-Square.jpg?v=1606836315","options":["Style"],"media":[{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Gold Leaf Moon Tumbler Made in USA","id":6981190975575,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA-Square.jpg?v=1606836315"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA-Square.jpg?v=1606836315","width":500},{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Gold Leaf Moon Tumbler Made in USA","id":6981191008343,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA.jpg?v=1606836321"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Gold-Leaf-Moon-Tumbler-Made-in-USA.jpg?v=1606836321","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe power of the moon, forever pulling at the tides and our hearts. Let its soft glow in with Slow Studio's Moon Tumbler. Fill with tea to warm hands on a brisk morning or pour in a yummy cocktail to enjoy by the fire. Each piece is hand thrown, dipped in matte glaze while leaving a band of raw clay along the bottom for a lovely contrast. Gold moon detail adds a glimmer that's just the right amount of magical.\u003c\/p\u003e\nPlease note that some slight variation between mugs may occur due to being hand made\n\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e- Measures 3.25- 3.5\" wide x 4-5\" high\u003cbr\u003e - Approximately 16 oz. capacity \u003cbr\u003e - Earthenware ceramic body\u003cbr\u003e - Dishwasher safe\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e"}

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{"id":4660889288791,"title":"Dawn Mug","handle":"dawn-mug","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity \u003cbr\u003e- Earthenware dark brown ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e","published_at":"2020-12-01T10:32:31-05:00","created_at":"2020-11-23T12:36:53-05:00","vendor":"Slow Studio","type":"Mug","tags":[],"price":3200,"price_min":3200,"price_max":3200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32428503498839,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SLMUGDW","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dawn Mug","public_title":null,"options":["Default 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data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity \u003cbr\u003e- Earthenware dark brown ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e"}

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{"id":2931785669,"title":"Porcelain Wood-Fired Vase","handle":"wood-fired-vase-porcelain-alexsondra-tomasulo","description":"\u003cp\u003eBeautiful and unique, this handled vase holds a generous bouquet and helps prop up a floral composition with \"room for birds to fly around the blooms.\" From an armful of wildflowers to carefully snipped roses, the graceful lines, thoughtful glazing, and elegant handle of this unique vase successfully dares to enhance Mother Nature's art.\u003c\/p\u003e\n\u003cp\u003e- Measures 10\" x 6.5\"\u003cbr\u003e- Porcelain \u003cbr\u003e- Wood-fired\u003c\/p\u003e\n\u003cp\u003eAlexsondra Tomasulo is an accomplished Maine potter who hosts teaching in her studio on the south side of the peninsula. Formerly known as Mud of the Ages, the Walpole, Maine studio is identified as The Artist's Haven. Its expanded concept includes a unique and relaxing opportunity for non-male guests to stay overnight and take a custom, single- or multi-day class.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith over forty years of experience as a potter, Alexsondra is light-hearted and compassionate. As a master of the craft, she has taught in schools and privately - believing in the inherent healing qualities of clay and its ability to offer deeper understanding and self discovery.\u003c\/p\u003e\n\u003cp\u003eAlexsondra’s work has been shown in galleries in Maine, New York, New Jersey and Michigan. There's a painterly quality to her work, which underlies her passion for art and communication in all its forms including poetry.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the Artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGive praise to the professions\u003cbr\u003eso humble, yet noble.\u003cbr\u003eSing in thanksgiving\u003cbr\u003eto the poets and potters\u003cbr\u003emusic makers and caretakers of this grand earth.\u003cbr\u003eDelight in the simple beauty\u003cbr\u003ethat feeds the soul.\u003cbr\u003eRejoice in all that challenges you,\u003cbr\u003eheals you, and raises you above all else\u003cbr\u003eto your full and holy potential!\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-02-04T08:19:40-05:00","created_at":"2015-11-16T15:28:28-05:00","vendor":"Alexsondra Tomasulo","type":"Vase","tags":["home"],"price":18500,"price_min":18500,"price_max":18500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8629367493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ATVASWD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Porcelain Wood-Fired Vase","public_title":null,"options":["Default Title"],"price":18500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Square.jpg?v=1608827753","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Feature.jpg?v=1608827758"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Square.jpg?v=1608827753","options":["Title"],"media":[{"alt":"The Good Supply Artisan Store in Pemaquid Maine Midcoast Ceramic Artist Alexsondra Tomasulo The Artists Haven Handle Vase in Wood Fired Porcelain Made in USA","id":7042545975383,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Square.jpg?v=1608827753"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Square.jpg?v=1608827753","width":500},{"alt":"The Good Supply Artisan Store in Pemaquid Maine Midcoast Ceramic Artist Alexsondra Tomasulo The Artists Haven Handle Vase in Wood Fired Porcelain Made in USA","id":7042546008151,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Feature.jpg?v=1608827758"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Artisan-Store-in-Pemaquid-Maine-Midcoast-Ceramic-Artist-Alexsondra-Tomasulo-The-Artists-Haven-Handle-Vase-in-Wood-Fired-Porcelain-Made-in-USA-Feature.jpg?v=1608827758","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBeautiful and unique, this handled vase holds a generous bouquet and helps prop up a floral composition with \"room for birds to fly around the blooms.\" From an armful of wildflowers to carefully snipped roses, the graceful lines, thoughtful glazing, and elegant handle of this unique vase successfully dares to enhance Mother Nature's art.\u003c\/p\u003e\n\u003cp\u003e- Measures 10\" x 6.5\"\u003cbr\u003e- Porcelain \u003cbr\u003e- Wood-fired\u003c\/p\u003e\n\u003cp\u003eAlexsondra Tomasulo is an accomplished Maine potter who hosts teaching in her studio on the south side of the peninsula. Formerly known as Mud of the Ages, the Walpole, Maine studio is identified as The Artist's Haven. Its expanded concept includes a unique and relaxing opportunity for non-male guests to stay overnight and take a custom, single- or multi-day class.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith over forty years of experience as a potter, Alexsondra is light-hearted and compassionate. As a master of the craft, she has taught in schools and privately - believing in the inherent healing qualities of clay and its ability to offer deeper understanding and self discovery.\u003c\/p\u003e\n\u003cp\u003eAlexsondra’s work has been shown in galleries in Maine, New York, New Jersey and Michigan. There's a painterly quality to her work, which underlies her passion for art and communication in all its forms including poetry.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the Artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGive praise to the professions\u003cbr\u003eso humble, yet noble.\u003cbr\u003eSing in thanksgiving\u003cbr\u003eto the poets and potters\u003cbr\u003emusic makers and caretakers of this grand earth.\u003cbr\u003eDelight in the simple beauty\u003cbr\u003ethat feeds the soul.\u003cbr\u003eRejoice in all that challenges you,\u003cbr\u003eheals you, and raises you above all else\u003cbr\u003eto your full and holy potential!\u003c\/span\u003e\u003c\/p\u003e"}

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{"id":4689888444503,"title":"Mariner's Mug","handle":"mariners-mug","description":"\u003cp\u003eWith its stable base, this mug’s rugged design will likely never tip its contents. Perfect for your sailboat, camp, or hectic morning routines. Hand carved lines with inlaid blue design.\u003c\/p\u003e\n\u003cp\u003e- Measures  4.5\" base x 3\" tall\u003cbr\u003e - Holds 12 oz comfortably, 14 to the brim\u003cbr\u003e - Dishwasher and microwave safe\u003cbr\u003e - Porcelain\u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M was founded in early 2016 by fellow ceramicists Christine Caswell and Meg K Walsh. While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well designed, hand-crafted tableware.\u003c\/p\u003e\n\u003cp\u003eIn 2020 Christine left C\u0026amp;M to pursue other creative endeavors and passions, Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings.\u003c\/p\u003e\nC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. 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Perfect for your sailboat, camp, or hectic morning routines. Hand carved lines with inlaid blue design.\u003c\/p\u003e\n\u003cp\u003e- Measures  4.5\" base x 3\" tall\u003cbr\u003e - Holds 12 oz comfortably, 14 to the brim\u003cbr\u003e - Dishwasher and microwave safe\u003cbr\u003e - Porcelain\u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M was founded in early 2016 by fellow ceramicists Christine Caswell and Meg K Walsh. While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well designed, hand-crafted tableware.\u003c\/p\u003e\n\u003cp\u003eIn 2020 Christine left C\u0026amp;M to pursue other creative endeavors and passions, Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings.\u003c\/p\u003e\nC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. Hand thrown or slip cast, each piece is made with impeccable attention to detail and care.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":4660887781463,"title":"Winter Light Mug","handle":"winter-light-mug","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. 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data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. 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{"id":4441261047895,"title":"Bud Vase | Two-Tone Brown","handle":"bud-vase-two-tone-brown","description":"\u003cp\u003eA solid and stable base will allow foliage to spring forth with no worry of toppling a special arrangement. The hardiness of design in this minimalist handmade ceramic vase is softened by a simple curve; which emanates from its base and tapers to its crown. \u003c\/p\u003e\n\u003cp\u003eA dark cocoa glaze occupies some space between warm and cool, while a lighter earthenware shade of natural clay is left revealed in transparency acting as a design element designating its name as two-tone.\u003c\/p\u003e\n\u003cp\u003e- Measurements for height are approximate and listed below. Diameter at base is 3\" \u003cbr\u003e- Deep brown glaze\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Fully glazed interior so water will not seep onto tabletop\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. 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The hardiness of design in this minimalist handmade ceramic vase is softened by a simple curve; which emanates from its base and tapers to its crown. \u003c\/p\u003e\n\u003cp\u003eA dark cocoa glaze occupies some space between warm and cool, while a lighter earthenware shade of natural clay is left revealed in transparency acting as a design element designating its name as two-tone.\u003c\/p\u003e\n\u003cp\u003e- Measurements for height are approximate and listed below. Diameter at base is 3\" \u003cbr\u003e- Deep brown glaze\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Fully glazed interior so water will not seep onto tabletop\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. 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{"id":4689909809239,"title":"Butter Dish or Keeper","handle":"butter-dish-or-keeper","description":"\u003cp\u003eBring color and fun to an everyday object, and eat more butter! Whether this covered butter dish lives on the countertop or on a shelf in the fridge, it's a delight to see. The vibrant colors and pattern is visible on both the top and bottom dish of the herringbone design while the \u003cspan data-mce-fragment=\"1\"\u003ecarved with blue inlay lines pay homage to maritime family history and nod toward classic nautical designs.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 6.25\" x 3.5\" x 3.75\"\u003cbr\u003e- Dishwasher and microwave safe\u003cbr\u003e- Porcelain \u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M was founded in early 2016 by fellow ceramicists Christine Caswell and Meg Walsh. While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well-designed, hand-crafted tableware.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2020, Christine left C\u0026amp;M to pursue other creative endeavors and passions, and Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings. We are delighted to report that Meg's current studio assistant is our very good friend - and first employee ever - Aidan Fraser who has launched an up-and-coming body positivity brand named Luster Hustler.\u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. Hand thrown or slip cast, each piece is made with impeccable attention to detail and care.\u003c\/p\u003e\n\u003cp\u003eWe met Meg long ago at the Common Ground Fair, and we swear, she had us when we saw an octopus on a flask. Knowing now how science-smart she is in regard to glaze chemistry and social she is in regard to networking with the restaurant  world in Portland, we are extra proud to be a friend in business. 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Whether this covered butter dish lives on the countertop or on a shelf in the fridge, it's a delight to see. The vibrant colors and pattern is visible on both the top and bottom dish of the herringbone design while the \u003cspan data-mce-fragment=\"1\"\u003ecarved with blue inlay lines pay homage to maritime family history and nod toward classic nautical designs.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 6.25\" x 3.5\" x 3.75\"\u003cbr\u003e- Dishwasher and microwave safe\u003cbr\u003e- Porcelain \u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M was founded in early 2016 by fellow ceramicists Christine Caswell and Meg Walsh. While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well-designed, hand-crafted tableware.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2020, Christine left C\u0026amp;M to pursue other creative endeavors and passions, and Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings. We are delighted to report that Meg's current studio assistant is our very good friend - and first employee ever - Aidan Fraser who has launched an up-and-coming body positivity brand named Luster Hustler.\u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. Hand thrown or slip cast, each piece is made with impeccable attention to detail and care.\u003c\/p\u003e\n\u003cp\u003eWe met Meg long ago at the Common Ground Fair, and we swear, she had us when we saw an octopus on a flask. Knowing now how science-smart she is in regard to glaze chemistry and social she is in regard to networking with the restaurant  world in Portland, we are extra proud to be a friend in business. Much love to C\u0026amp;M Ceramics!\u003c\/p\u003e"}

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{"id":4660888371287,"title":"Dusk Mug","handle":"dusk-mug","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware dark brown ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. 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data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. An unglazed clay bottom beautifully contrasts a matte glaze, which creates fun interplay between color and texture. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 3.5\" wide x 4-5\" tall\u003cbr\u003e- Approximately 16 oz. capacity\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware dark brown ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. 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{"id":4599457153111,"title":"Spokeshave Cup Winter Light","handle":"spokeshave-cup","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- Earthenware ceramic body \u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e","published_at":"2020-12-01T10:45:37-05:00","created_at":"2020-08-18T10:42:31-04:00","vendor":"Slow Studio","type":"Mug","tags":[],"price":3200,"price_min":3200,"price_max":3200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32308666368087,"title":"winter light","option1":"winter light","option2":null,"option3":null,"sku":"SLSPSWL","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spokeshave Cup Winter Light - winter light","public_title":"winter light","options":["winter light"],"price":3200,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA-Square.jpg?v=1606837320","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA.jpg?v=1606837325"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA-Square.jpg?v=1606837320","options":["Color"],"media":[{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Spokeshave Cup Winter Light Made in USA","id":6981237276759,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA-Square.jpg?v=1606837320"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA-Square.jpg?v=1606837320","width":500},{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Spokeshave Cup Winter Light Made in USA","id":6981237309527,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA.jpg?v=1606837325"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Winter-Light-Made-in-USA.jpg?v=1606837325","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- Earthenware ceramic body \u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e"}

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{"id":4599452106839,"title":"Sugar Bowl and Creamer Set | Winter Light","handle":"sugar-bowl-and-creamer","description":"\u003cp\u003eSugar Bowl and Creamer Set in Winter Light\u003c\/p\u003e\n\u003cp\u003e- Measures 3\" wide x 4\" tall\u003cbr\u003e - Earthenware ceramic body\u003cbr\u003e - Microwave and dishwasher safe\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. 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{"id":4599475929175,"title":"Birch Mug","handle":"birch-coffee-mug","description":"\u003cp data-mce-fragment=\"1\"\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe perfect size for your morning coffee or an evening bit of chamomile, each mug is thrown by hand in Natania's Vermont studio. 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{"id":4664216617047,"title":"Spokeshave Cup Dusk","handle":"spokeshave-cup-dusk","description":"\u003cp\u003e- Earthenware dark brown ceramic body \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e","published_at":"2020-12-01T10:40:56-05:00","created_at":"2020-12-01T10:39:06-05:00","vendor":"Slow Studio","type":"Mug","tags":[],"price":3200,"price_min":3200,"price_max":3200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32435665829975,"title":"dusk","option1":"dusk","option2":null,"option3":null,"sku":"SLSPSDU","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spokeshave Cup Dusk - dusk","public_title":"dusk","options":["dusk"],"price":3200,"weight":0,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA-Square.jpg?v=1606837209","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA.jpg?v=1606837228"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA-Square.jpg?v=1606837209","options":["Color"],"media":[{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Spokeshave Cup Dusk Made in USA","id":6981223088215,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA-Square.jpg?v=1606837209"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA-Square.jpg?v=1606837209","width":500},{"alt":"The Good Supply Pemaquid Maine Artisan Store Ceramics Artist Natania Hume of Vermont Slow Studio Earthenware Clay Body Spokeshave Cup Dusk Made in USA","id":6981223120983,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA.jpg?v=1606837228"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Artisan-Store-Ceramics-Artist-Natania-Hume-of-Vermont-Slow-Studio-Earthenware-Clay-Body-Spokeshave-Cup-Dusk-Made-in-USA.jpg?v=1606837228","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e- Earthenware dark brown ceramic body \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e"}

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{"id":3933847257175,"title":"Erosion Slab No. 1","handle":"erosion-slab-no-1","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis wall object is a perfect bridge into the realm of sculpture for anyone who wishes to expand his, her, or their art collection beyond 2D wall art. In essence, it is a 3D sculpture, layered and textured, designed to hang on the wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt will never fade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCreated by ceramic artist Jonathan Mess, an avid fisherman who spends as much time as possible on the  water on nearby Damariscotta Lake or the rocky coast of the Bristol peninsula, the energy present in this work is intentional. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special piece of contemporary ceramic art has an urban vibe, echoing street art and graffiti with bold lines and presence.  One can imagine walking a city street and coming upon such a design as a statement about revisioning of our relationship to raw materials.  The colors give the effect of paint or posters on an outdoor wall, implicating the piece as a surface from an alternate world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Measures 10.5” x 11” x 1.5”\u003cbr data-mce-fragment=\"1\"\u003e-Various reclaimed ceramic materials\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" title=\"Kate Mess Midcoast Maine Enamel Artist\" data-mce-fragment=\"1\" target=\"_blank\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","published_at":"2020-11-14T12:22:30-05:00","created_at":"2019-07-23T10:43:03-04:00","vendor":"Jonathan Mess","type":"Sculpture","tags":[],"price":80000,"price_min":80000,"price_max":80000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29423487811671,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"JMRS1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erosion Slab No. 1","public_title":null,"options":["Default Title"],"price":80000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Square.jpg?v=1605374036","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA.jpg?v=1605374030","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-1.jpg?v=1605374017","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-2.jpg?v=1605374017","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-3.jpg?v=1605374017"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Square.jpg?v=1605374036","options":["Title"],"media":[{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Wall Tile Erosion Slab No 1 Made in Maine USA","id":6934469574743,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Square.jpg?v=1605374036"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Square.jpg?v=1605374036","width":500},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Wall Tile Erosion Slab No 1 Made in Maine USA","id":6934469902423,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA.jpg?v=1605374030"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA.jpg?v=1605374030","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Wall Tile Erosion Slab No 1 Made in Maine USA","id":6933116584023,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-1.jpg?v=1605374017"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-1.jpg?v=1605374017","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Wall Tile Erosion Slab No 1 Made in Maine USA","id":6933116649559,"position":4,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-2.jpg?v=1605374017"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-2.jpg?v=1605374017","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Wall Tile Erosion Slab No 1 Made in Maine USA","id":6933116715095,"position":5,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-3.jpg?v=1605374017"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Wall-Tile-Erosion-Slab-No-1-Made-in-Maine-USA-Detail-3.jpg?v=1605374017","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis wall object is a perfect bridge into the realm of sculpture for anyone who wishes to expand his, her, or their art collection beyond 2D wall art. In essence, it is a 3D sculpture, layered and textured, designed to hang on the wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt will never fade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCreated by ceramic artist Jonathan Mess, an avid fisherman who spends as much time as possible on the  water on nearby Damariscotta Lake or the rocky coast of the Bristol peninsula, the energy present in this work is intentional. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special piece of contemporary ceramic art has an urban vibe, echoing street art and graffiti with bold lines and presence.  One can imagine walking a city street and coming upon such a design as a statement about revisioning of our relationship to raw materials.  The colors give the effect of paint or posters on an outdoor wall, implicating the piece as a surface from an alternate world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Measures 10.5” x 11” x 1.5”\u003cbr data-mce-fragment=\"1\"\u003e-Various reclaimed ceramic materials\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" title=\"Kate Mess Midcoast Maine Enamel Artist\" data-mce-fragment=\"1\" target=\"_blank\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e"}

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{"id":3933844373591,"title":"Reclaim No. 34","handle":"reclaim-no-34","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCalling on David Bowie or Neil deGrasse Tyson, this graphic sculpture has a cosmic quality to it. When most of the artist's pieces have a terrestrial feel, this seems extra terrestrial. It is likely the colors that contribute given small shards of blues and reds, which contrast with a base that is very much textured black and white. It appears as if space dust is collecting on some sort of asteroid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is an unlikely piece of artwork that is extremely beautiful. Textures from the corrugated cardboard that helped form its mold, give this classic shape significant texture, which helps bring box-like form the interest of a small universe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging and environmental mission.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name of this art piece harkens not only the imagery of layering but also the concept of waste and build up over time. Viewed with the right lens, raw material that can be used and reused is sheer beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 4.5” x 5.5” x 4”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-11-13T18:05:40-05:00","created_at":"2019-07-23T10:37:03-04:00","vendor":"Jonathan Mess","type":"Sculpture","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29423478210647,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"JMR34","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Reclaim No. 34","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Square.jpg?v=1605308719","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA.jpg?v=1605308723","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Detail.jpg?v=1605308727"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Square.jpg?v=1605308719","options":["Title"],"media":[{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Reclaim No 34 Made in Maine USA","id":6933149352023,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Square.jpg?v=1605308719"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Square.jpg?v=1605308719","width":500},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Reclaim No 34 Made in Maine USA","id":6933149614167,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA.jpg?v=1605308723"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA.jpg?v=1605308723","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Reclaim No 34 Made in Maine USA","id":6933149712471,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Detail.jpg?v=1605308727"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Reclaim-No-34-Made-in-Maine-USA-Detail.jpg?v=1605308727","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCalling on David Bowie or Neil deGrasse Tyson, this graphic sculpture has a cosmic quality to it. When most of the artist's pieces have a terrestrial feel, this seems extra terrestrial. It is likely the colors that contribute given small shards of blues and reds, which contrast with a base that is very much textured black and white. It appears as if space dust is collecting on some sort of asteroid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is an unlikely piece of artwork that is extremely beautiful. Textures from the corrugated cardboard that helped form its mold, give this classic shape significant texture, which helps bring box-like form the interest of a small universe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging and environmental mission.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name of this art piece harkens not only the imagery of layering but also the concept of waste and build up over time. Viewed with the right lens, raw material that can be used and reused is sheer beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 4.5” x 5.5” x 4”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e"}

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{"id":3933843488855,"title":"Landfill No. 20 Section 2","handle":"landfill-no-20-section-2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis graphic sculpture boasts an unlikely and extremely beautiful array of color. Pinks and a translucent blue adorn one face of this vertical rectangular prism, while another is rich with forest green and pale yellow. Textures from the corrugated cardboard that helped form its mold, give this classic shape a subtle texture, which helps soften the hard edges of its box-like form. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging and environmental mission.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name of this art piece harkens not only the imagery of layering but also the concept of waste and build up over time. Viewed with the right lens, raw material that can be used and reused is sheer beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 10” x 5” x 5”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e- May require additional shipping\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-11-13T17:51:30-05:00","created_at":"2019-07-23T10:34:30-04:00","vendor":"Jonathan Mess","type":"Sculpture","tags":[],"price":42500,"price_min":42500,"price_max":42500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29423474311255,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"JML20S2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Landfill No. 20 Section 2","public_title":null,"options":["Default Title"],"price":42500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Square.jpg?v=1605307839","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Feature.jpg?v=1605307846","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-1.jpg?v=1605307851","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-2.jpg?v=1605307856","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-3.jpg?v=1605307861","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-4.jpg?v=1605307865"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Square.jpg?v=1605307839","options":["Title"],"media":[{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933124415575,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Square.jpg?v=1605307839"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Square.jpg?v=1605307839","width":500},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933124579415,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Feature.jpg?v=1605307846"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Feature.jpg?v=1605307846","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933124743255,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-1.jpg?v=1605307851"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-1.jpg?v=1605307851","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933124841559,"position":4,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-2.jpg?v=1605307856"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-2.jpg?v=1605307856","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933124972631,"position":5,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-3.jpg?v=1605307861"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-3.jpg?v=1605307861","width":600},{"alt":"The Good Supply Pemaquid Maine Environmental Artist Jonathan Mess Ceramic Sculpture Landfill No.20 Section 2 Made in Maine USA","id":6933125103703,"position":6,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-4.jpg?v=1605307865"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/The-Good-Supply-Pemaquid-Maine-Environmental-Artist-Jonathan-Mess-Ceramic-Sculpture-Landfill-No.20-Section-2-Made-in-Maine-USA-Detail-4.jpg?v=1605307865","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis graphic sculpture boasts an unlikely and extremely beautiful array of color. Pinks and a translucent blue adorn one face of this vertical rectangular prism, while another is rich with forest green and pale yellow. Textures from the corrugated cardboard that helped form its mold, give this classic shape a subtle texture, which helps soften the hard edges of its box-like form. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMess has long given up buying new material to create his ceramic art, choosing instead to recycle discarded clays and glazes, of which there are endless quantities. Ceramic studios all over Maine welcome this artist’s resourceful scavenging and environmental mission.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name of this art piece harkens not only the imagery of layering but also the concept of waste and build up over time. Viewed with the right lens, raw material that can be used and reused is sheer beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 10” x 5” x 5”\u003cbr\u003e- Various reclaimed ceramic materials\u003cbr\u003e- May require additional shipping\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJonathan Mess is a contemporary ceramic artist from midcoast Maine who allows his art to be driven by instinct and experimentation. The freedom in his process unifies his various series, which are energetic, ambitious, and Environmental Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing reclaimed materials and unconventional techniques, Jonathan Mess has a unique style. His work is a vehicle for education, guiding viewers to consider waste, recycling, and purposeful art. He is also an educator of youth, teaching ceramic and sculpture courses at Lincoln Academy in Newcastle, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMess has an MFA in Ceramics from The State University of New York at New Paltz and a BFA in Studio Art at University of Montana - Missoula. The artist's solo exhibitions and major awards date back to 1998, and his work is exhibited internationally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2018, Portland Museum of Art in Maine included Mess’s sculptures in its Biennial exhibition. 2019 will host his work at the deCordova Sculpture Park and Museum Biennial. The exhibit is a survey of contemporary art of New England showcasing compelling and ambitious art-making in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe are honored to work with both Jonathan and his wife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"Kate Mess Midcoast Maine Enamel Artist\" href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.thegoodsupply.org\/collections\/kate-mess\" target=\"_blank\"\u003eKate Mess\u003c\/a\u003e, award-winning enamelist and jewelry artist. Their studio endeavors have been closely linked since they met in graduate school in 2006. Renowned in their respective disciplines for innovation in pushing material boundaries, both Kate and Jonathan credit Maine’s rugged coastline and nature as their primary inspiration.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Good Supply hosted an art exhibition in 2017 entitled Symbiosis. The theme explored the similarities and differences between Kate and Jonathan’s work. The way their practices intertwine opens a dialogue of the benefit of cross-medium influence and experimentation. The couple work out of studio spaces in their home, a renovated gambrel barn in Jefferson, Maine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the Artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI’m excited to have my work at The Good Supply because I see it as my local gallery, which cares about representing local artists. It means a lot to me that my friends and teaching colleagues and kids at the school where I work have the chance to see my work, whereas if I have a show in Boston, no one in my hometown sees it. The local connection and sense of community is a really important part of art-making for me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the critics: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mess is in a class by himself as a Maine contemporary artist. His ceramic sculptures are built up like sediments, and take on geological logic through their construction and firing processes. The slips, glazes and clays shift, expand and shrink at varying rates in a way that mirrors geological activity on a macro level. What we see are cross-sections of layers of dynamic color and form with organic activity defining them. They are fascinating and powerful objects.” - Daniel Kany, Portland Press Herald\/Maine Sunday Telegram\u003c\/span\u003e\u003c\/p\u003e"}

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{"id":6554729840727,"title":"Cereal Bowl","handle":"cereal-bowl","description":"\u003cp\u003eBran flakes or marshmallow stars, oatmeal or granola, start your morning with a bowl full of something good. This cereal bowl with its lovely shape and luminous glaze hopes you have a great day, go get em' tiger!\u003c\/p\u003e\n\u003cp\u003e- Measures 5.5\" wide x 2\" deep\u003cbr\u003e - Holds 14 oz\u003cbr\u003e - Porcelain\u003cbr\u003e - Microwave and dishwasher safe\u003cbr\u003e - Handmade in Camden, Maine\u003c\/p\u003e\n\u003cp\u003eCamden Clay Co. founders Austin and Jess Smith produce functional, elegant pottery from their home studio. Their slip cast porcelain and soft gem-like glazes come together creating wares that are luminous, clean and strong enough for everyday use for years to come.\u003c\/p\u003e\n\u003cp\u003eThe couple began working together after a successful collaboration creating their ceramic wedding favors in 2012. Austin has been a working potter for years and Camden Clay Co. is his newest venture. Aside from a home showroom their work can be found at craft shows around the state.\u003cbr\u003e\u003c\/p\u003e","published_at":"2022-06-04T09:32:31-04:00","created_at":"2021-04-13T14:34:09-04:00","vendor":"Camden Clay Co.","type":"Bowl","tags":[],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39287260905559,"title":"Celadon","option1":"Celadon","option2":null,"option3":null,"sku":"CACBCE","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cereal Bowl - Celadon","public_title":"Celadon","options":["Celadon"],"price":3000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39287260938327,"title":"Blueberry","option1":"Blueberry","option2":null,"option3":null,"sku":"CACBBB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cereal Bowl - Blueberry","public_title":"Blueberry","options":["Blueberry"],"price":3000,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39340255608919,"title":"White","option1":"White","option2":null,"option3":null,"sku":"Cacbw","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cereal Bowl - 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Honey","public_title":"Honey","options":["Honey"],"price":3000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowsl-in-Porcelain-with-Celadon-Blueberry-White-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1654349474","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowsl-in-Porcelain-with-Celadon-Blueberry-White-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1654349474","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowl-in-Porcelain-with-Celadon-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1654349474","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowl-in-Porcelain-with-Celadon-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1654349474","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowl-in-Porcelain-with-Blueberry-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1654349474","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Colorful-Porcelain-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA_a52895e9-2b4c-4bda-84d4-87a56a812f51.jpg?v=1654349486","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Wedding-China-in-Porcelain-with-Celadon-and-Blueberry-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA_7724d983-c24f-4538-8637-8fb975c8c716.jpg?v=1654349486"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Cereal-Bowsl-in-Porcelain-with-Celadon-Blueberry-White-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1654349474","options":["Color"],"media":[{"alt":"Cereal 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USA","id":21490676334679,"position":7,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Wedding-China-in-Porcelain-with-Celadon-and-Blueberry-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA_7724d983-c24f-4538-8637-8fb975c8c716.jpg?v=1654349486"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Wedding-China-in-Porcelain-with-Celadon-and-Blueberry-Glaze-by-Camden-Clay-Co-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA_7724d983-c24f-4538-8637-8fb975c8c716.jpg?v=1654349486","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBran flakes or marshmallow stars, oatmeal or granola, start your morning with a bowl full of something good. This cereal bowl with its lovely shape and luminous glaze hopes you have a great day, go get em' tiger!\u003c\/p\u003e\n\u003cp\u003e- Measures 5.5\" wide x 2\" deep\u003cbr\u003e - Holds 14 oz\u003cbr\u003e - Porcelain\u003cbr\u003e - Microwave and dishwasher safe\u003cbr\u003e - Handmade in Camden, Maine\u003c\/p\u003e\n\u003cp\u003eCamden Clay Co. founders Austin and Jess Smith produce functional, elegant pottery from their home studio. Their slip cast porcelain and soft gem-like glazes come together creating wares that are luminous, clean and strong enough for everyday use for years to come.\u003c\/p\u003e\n\u003cp\u003eThe couple began working together after a successful collaboration creating their ceramic wedding favors in 2012. Austin has been a working potter for years and Camden Clay Co. is his newest venture. Aside from a home showroom their work can be found at craft shows around the state.\u003cbr\u003e\u003c\/p\u003e"}

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{"id":6554731380823,"title":"Bread Plate","handle":"bread-plate","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA warm slice of bread with butter, a piece of blueberry pie, a fresh summer salad, what will you fill your plate with? This handy side plate from Camden Clay Co. is just right for that little something extra. Use one or two around the house to catch jewelry, coins or keys. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e - Measures 6.25\" diameter\u003cbr data-mce-fragment=\"1\"\u003e - Porcelain\u003cbr data-mce-fragment=\"1\"\u003e - Microwave and dishwasher safe\u003cbr data-mce-fragment=\"1\"\u003e-  Handmade in Camden, Maine\u003c\/p\u003e\n\u003cp\u003eCamden Clay Co. founders Austin and Jess Smith produce functional, elegant pottery from their home studio. 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{"id":6554732527703,"title":"Lunch Plate","handle":"lunch-plate","description":"\u003cp\u003eIf you're enjoying lunch on the porch or a light dinner by candlelight, the Lunch Plate has you covered. It's open surface, gently sloped sides and soft glowing glaze makes even a simple sandwich seem fancy.\u003c\/p\u003e\n\u003cp\u003e- Measures 9\" diameter\u003cbr\u003e- Porcelain\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e - Handmade in Camden, Maine\u003c\/p\u003e\n\u003cp\u003eCamden Clay Co. founders Austin and Jess Smith produce functional, elegant pottery from their home studio. Their slip cast porcelain and soft gem-like glazes come together creating wares that are luminous, clean and strong enough for everyday use for years to come.\u003c\/p\u003e\n\u003cp\u003eThe couple began working together after a successful collaboration creating their ceramic wedding favors in 2012. Austin has been a working potter for years and Camden Clay Co. is his newest venture. 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It's open surface, gently sloped sides and soft glowing glaze makes even a simple sandwich seem fancy.\u003c\/p\u003e\n\u003cp\u003e- Measures 9\" diameter\u003cbr\u003e- Porcelain\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e - Handmade in Camden, Maine\u003c\/p\u003e\n\u003cp\u003eCamden Clay Co. founders Austin and Jess Smith produce functional, elegant pottery from their home studio. Their slip cast porcelain and soft gem-like glazes come together creating wares that are luminous, clean and strong enough for everyday use for years to come.\u003c\/p\u003e\n\u003cp\u003eThe couple began working together after a successful collaboration creating their ceramic wedding favors in 2012. Austin has been a working potter for years and Camden Clay Co. is his newest venture. Aside from a home showroom their work can be found at craft shows around the state.\u003cbr\u003e\u003c\/p\u003e"}

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{"id":6638964211799,"title":"Fruit Bowl | Birch","handle":"fruit-bowl-winter-light","description":"\u003cp\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp\u003eA sculptural nod to minimalism and texture play, this elegant bowl has a profile balancing one half exposed clay body and one half glaze mixed by hand. The contours from throwing the bowl on the wheel. It is beautiful sitting alone on a tabletop.\u003c\/p\u003e\n\u003cp\u003eFruit storage and use as a serving dish at mealtime are pleasant functions for this quiet beauty. Its colorway is inspired by the bark of a birch tree - the unglazed clay base beautifully contrasts a matte glaze. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 10.25\" wide x 2.25\" tall\u003cbr\u003e- Food-safe glaze\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e- Occasional scrub with baking soda if desired\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. 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bowl has a profile balancing one half exposed clay body and one half glaze mixed by hand. The contours from throwing the bowl on the wheel. It is beautiful sitting alone on a tabletop.\u003c\/p\u003e\n\u003cp\u003eFruit storage and use as a serving dish at mealtime are pleasant functions for this quiet beauty. Its colorway is inspired by the bark of a birch tree - the unglazed clay base beautifully contrasts a matte glaze. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 10.25\" wide x 2.25\" tall\u003cbr\u003e- Food-safe glaze\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e- Occasional scrub with baking soda if desired\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. 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{"id":4689891491927,"title":"Flask and Spice Bowls | Herringbone","handle":"flask-and-spice-bowls-herringbone","description":"\u003cp\u003eA ceramic flask you say? The colorful hand painted and carved herringbone pattern is a playful twist on a classic. A silicon cork makes for a leak-free seal. Have a wee dram in style. Cheers!\u003c\/p\u003e\n\u003cp\u003eThese fun little spice bowls can double as sake cups. In fact, they come in handy for a variety of uses. Keep them on the counter or table for a pinch of salt, herbs, and dipping sauces. Add one or two to a charcuterie spread for olive pits or toothpicks. From tea bowls to earring holders and more, it's a good thing you have four!\u003c\/p\u003e\n\u003cp\u003e- Flask measures 5.75\" tall x 4\" wide x 1.5\" deep, 10 oz. capacity\u003cbr\u003e- Spice bowls measure 2.25\" x 2.75\", set of 4\u003cbr\u003e- Spice bowls are dishwasher and microwave safe\u003cbr\u003e- Porcelain\u003c\/p\u003e\n\u003cp\u003eC\u0026amp;M was founded in early 2016 by fellow ceramicists Christine Caswell and Meg K Walsh. While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well designed, hand-crafted tableware.\u003c\/p\u003e\n\u003cp\u003eIn 2020 Christine left C\u0026amp;M to pursue other creative endeavors and passions, Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings.\u003c\/p\u003e\nC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. 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While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well designed, hand-crafted tableware.\u003c\/p\u003e\n\u003cp\u003eIn 2020 Christine left C\u0026amp;M to pursue other creative endeavors and passions, Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings.\u003c\/p\u003e\nC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. Hand thrown or slip cast, each piece is made with impeccable attention to detail and care.\n"}

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{"id":4689893392471,"title":"Flask and Spice Bowls | Mariner's","handle":"flask-and-spice-bowls-mariners","description":"\u003cp\u003eA ceramic flask you say? Cobalt rings on white is nautical with a modern twist. A silicon cork makes for a leak-free seal. Have a wee dram in style. Cheers!\u003c\/p\u003e\n\u003cp\u003eThese fun little spice bowls can double as sake cups. In fact, they come in handy for a variety of uses. Keep them on the counter or table for a pinch of salt, herbs, and dipping sauces. Add one or two to a charcuterie spread for olive pits or toothpicks. 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While sharing a ceramics studio the friends decided to bring their creative energies together with a commitment to making well designed, hand-crafted tableware.\u003c\/p\u003e\n\u003cp\u003eIn 2020 Christine left C\u0026amp;M to pursue other creative endeavors and passions, Meg then moved the studio to a new location by the beach Scarborough with dreamy sunset views and inspiring surroundings.\u003c\/p\u003e\nC\u0026amp;M uses porcelain to create their wares along with glossy food safe glazes. Hand thrown or slip cast, each piece is made with impeccable attention to detail and care."}

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{"id":6755472080983,"title":"Fruit Bowl | Winter Light","handle":"fruit-bowl-winter-light-1","description":"\u003cp\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp\u003eA sculptural nod to minimalism and texture play, this elegant bowl has a profile balancing one half exposed clay body and one half glaze mixed by hand. The contours from throwing the bowl on the wheel. It is beautiful sitting alone on a tabletop.\u003c\/p\u003e\n\u003cp\u003eFruit storage and use as a serving dish at mealtime are pleasant functions for this quiet beauty. Its colorway is inspired by nature on a snow day - the unglazed clay base beautifully contrasts a matte glaze. The fun interplay between color and texture are reminiscent of the snow and light as well. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 10.25\" wide x 2.25\" tall\u003cbr\u003e- Food-safe glaze\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e- Occasional scrub with baking soda if desired\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e","published_at":"2022-04-27T20:05:57-04:00","created_at":"2022-04-27T19:37:11-04:00","vendor":"Slow Studio","type":"Bowl","tags":[],"price":6800,"price_min":6800,"price_max":6800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39751248904279,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SLFBWL","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fruit Bowl | Winter Light","public_title":null,"options":["Default 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USA","id":21398519447639,"position":4,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Ceramic-Fruit-or-Serving-Bowl-in-Large-White-by-Slow-Studio-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail-2.jpg?v=1651104253"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Ceramic-Fruit-or-Serving-Bowl-in-Large-White-by-Slow-Studio-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail-2.jpg?v=1651104253","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eFinding the balance between rustic and contemporary simplicity, Natania Hume of Slow Studio creates ceramic wares, which are sure to be daily favorites.\u003c\/p\u003e\n\u003cp\u003eA sculptural nod to minimalism and texture play, this elegant bowl has a profile balancing one half exposed clay body and one half glaze mixed by hand. The contours from throwing the bowl on the wheel. It is beautiful sitting alone on a tabletop.\u003c\/p\u003e\n\u003cp\u003eFruit storage and use as a serving dish at mealtime are pleasant functions for this quiet beauty. Its colorway is inspired by nature on a snow day - the unglazed clay base beautifully contrasts a matte glaze. The fun interplay between color and texture are reminiscent of the snow and light as well. Each piece has a truly unique character. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note that some slight variation may occur due to being made by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Measures 10.25\" wide x 2.25\" tall\u003cbr\u003e- Food-safe glaze\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e- Earthenware ceramic body\u003cbr\u003e- Microwave and dishwasher safe\u003cbr\u003e- Occasional scrub with baking soda if desired\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSlow Studio is a time and place inhabited by ceramic artist Natania Hume to translate her experience with nature into something tangible. Her designs evolve from a connection with clay as a material as well as inspiration found recreating near her home in rural Vermont.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePurity of form and simplicity of function are complimented by the artist's innate talent for achieving balance and expressing texture. This very unique and timeless is made as if there was only time in the world. The result of this intention is a distinct collection of contemporary, minimalist tableware.\u003c\/p\u003e"}

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{"id":4625512169559,"title":"Here’s To You... Cup","handle":"here-s-to-you-cup","description":"\u003cp\u003eHave you ever had a bird eat from your hand? Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3.75\" x 3.25\" \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-12-18T07:24:07-05:00","created_at":"2020-09-29T11:18:10-04:00","vendor":"Tim Christensen","type":"porcelain","tags":[],"price":16000,"price_min":16000,"price_max":16000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32362394648663,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCHTY","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Here’s To You... 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Building the trust for such an experience takes time and patience. Stand as still as a statue with hand outstretched. Your arm may tire, but stay the course.\u003c\/p\u003e\n\u003cp\u003eThe reward is a gentle flutter on the palm, tiny talons holding onto your thumb.\u003c\/p\u003e\n\u003cp\u003eThe curious Chickadee may be small and endearing, but they're resilient and smart. One false move or a flinch, and they'll fly away. Keep at it, and you're sure to have countless quick and wonderful encounters. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's \"Here's To You\" cup captures this magical moment while toasting to its beauty. Here's to nature - to birds and breezes and trees and the good fortune to be among it all.\u003c\/p\u003e\n\u003cp\u003e- Measures 3.75\" x 3.25\" \u003cbr\u003e- Porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":4640811450455,"title":"Tiger Trout","handle":"orange-fish","description":"\u003cp\u003eWith an arch of the back and a flap of the tail, we catch this fantastical trout in mid-leap. Bright orange and green glaze show off the detailed curved form and ominous display of teeth. This unique ceramic fish sculpture is created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 10\" x 8.5\" \u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-24T14:46:53-04:00","created_at":"2020-10-21T11:59:47-04:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32390929547351,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLCOF","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tiger Trout","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682361899","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682361899","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363056"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682361899","options":["Title"],"media":[{"alt":"Ceramic Fish Sculpture Tiger Trout Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22657948090455,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682361899"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682361899","width":500},{"alt":"Ceramic Fish Sculpture Tiger Trout Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22657948123223,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682361899"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682361899","width":600},{"alt":"Ceramic Fish Sculpture Tiger Trout Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658032631895,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363056"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Tiger-Trout-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363056","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWith an arch of the back and a flap of the tail, we catch this fantastical trout in mid-leap. Bright orange and green glaze show off the detailed curved form and ominous display of teeth. This unique ceramic fish sculpture is created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 10\" x 8.5\" \u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6561386102871,"title":"Whiskey Cups","handle":"whiskey-cups-2-oz","description":"\u003cp\u003eWhiskey might be brown but that doesn't mean it has to be drab! This dapper ceramic shot glass - with neat buttons, sharp lines, and unique color - add some fun and creativity to a round or two.\u003c\/p\u003e\n\u003cp\u003eAquire one for yourself or a selection, letting your guests choose their favorite color. Add a couple to a charcuterie board to hold toothpicks or olive pits. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBold, modern colorful stripes pop against a warm red earthenware. The burnished surface and lightweight clay body make it comfortable in the hand. A clear glaze lines the inside ensuring the piece completely food safe. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e - Measures 2.25\" tall x 2\" wide\u003cbr\u003e  - Holds 2oz \u003cbr\u003e  - Terra Cotta, Terra Sigilata, Mason Stains, Underglaze, Glaze\u003cbr\u003e - Hand wash, do not microwave\u003c\/p\u003e\n\u003cp\u003eSoozie Large studied philosophy in college, attended The Portland School of Art (now MECA) in Portland, Maine-with a focus on printmaking and ceramics at Haystack Mountain School of Crafts.\u003c\/p\u003e\n\u003cp\u003eSoozie’s work has been shown at several galleries and exhibitions throughout Maine, New England and down east coast to Baltimore. She currently has a studio space at Running With Scissors in Portland, Maine.\u003c\/p\u003e\n\u003cp\u003eFrom the artist: \"I have been very involved in working with the combination of Terra Cotta and Terra Sigillata to make vessels of all sorts for a few years. For me, the natural  warmth of a vessel made from earthenware paired with the playful, not to mention colorful, possibilities of Terra Sigillata and its lovely burnished surfaces is 'a match made in heaven'. \u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e For me, the play between form and color is a source of great delight.\"\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-04-27T19:34:46-04:00","created_at":"2021-05-05T20:47:26-04:00","vendor":"Soozie Large","type":"Cup","tags":[],"price":0,"price_min":0,"price_max":3600,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39311580168279,"title":"Chartreuse","option1":"Chartreuse","option2":null,"option3":null,"sku":"SGWCCH","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Whiskey Cups - Chartreuse","public_title":"Chartreuse","options":["Chartreuse"],"price":3600,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":39311580233815,"title":"Light Lilac","option1":"Light Lilac","option2":null,"option3":null,"sku":"SGWCLL","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Whiskey Cups - 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This dapper ceramic shot glass - with neat buttons, sharp lines, and unique color - add some fun and creativity to a round or two.\u003c\/p\u003e\n\u003cp\u003eAquire one for yourself or a selection, letting your guests choose their favorite color. Add a couple to a charcuterie board to hold toothpicks or olive pits. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBold, modern colorful stripes pop against a warm red earthenware. The burnished surface and lightweight clay body make it comfortable in the hand. A clear glaze lines the inside ensuring the piece completely food safe. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e - Measures 2.25\" tall x 2\" wide\u003cbr\u003e  - Holds 2oz \u003cbr\u003e  - Terra Cotta, Terra Sigilata, Mason Stains, Underglaze, Glaze\u003cbr\u003e - Hand wash, do not microwave\u003c\/p\u003e\n\u003cp\u003eSoozie Large studied philosophy in college, attended The Portland School of Art (now MECA) in Portland, Maine-with a focus on printmaking and ceramics at Haystack Mountain School of Crafts.\u003c\/p\u003e\n\u003cp\u003eSoozie’s work has been shown at several galleries and exhibitions throughout Maine, New England and down east coast to Baltimore. She currently has a studio space at Running With Scissors in Portland, Maine.\u003c\/p\u003e\n\u003cp\u003eFrom the artist: \"I have been very involved in working with the combination of Terra Cotta and Terra Sigillata to make vessels of all sorts for a few years. For me, the natural  warmth of a vessel made from earthenware paired with the playful, not to mention colorful, possibilities of Terra Sigillata and its lovely burnished surfaces is 'a match made in heaven'. \u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e For me, the play between form and color is a source of great delight.\"\u003c\/span\u003e\u003c\/p\u003e"}

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{"id":6574366163031,"title":"Wren Bottle","handle":"wren-bottle","description":"\u003cp\u003eThe small but mighty Wren zips throgh the trees singing along the way. You’ll sing a merry tune while holding a toast to the birds, the sky, and all else worth celebrating.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis bottle with cup lid can hold your libation or just hold its own sitting pretty on display. The carved sgraffito features a pattern of flying Wrens with forest bramble and a bold striped topper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measurements, Bottle: 5.25\" x 2.5\", Cup: 1.5” x 2\", Total: 5.5\"\u003cbr\u003e- Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e Tim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e Tim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-02-03T00:00:04-05:00","created_at":"2021-07-06T12:27:19-04:00","vendor":"Tim Christensen","type":"Porcelain","tags":[],"price":35000,"price_min":35000,"price_max":35000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39343327248471,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCSWB","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wren Bottle","public_title":null,"options":["Default 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USA","id":22382994194519,"position":5,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicWrenBottleMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675400240"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicWrenBottleMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675400240","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe small but mighty Wren zips throgh the trees singing along the way. You’ll sing a merry tune while holding a toast to the birds, the sky, and all else worth celebrating.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis bottle with cup lid can hold your libation or just hold its own sitting pretty on display. The carved sgraffito features a pattern of flying Wrens with forest bramble and a bold striped topper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Measurements, Bottle: 5.25\" x 2.5\", Cup: 1.5” x 2\", Total: 5.5\"\u003cbr\u003e- Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e Tim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e Tim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":6574366228567,"title":"Elvers","handle":"elvers","description":"\u003cp\u003eMore glass eels or Elvers are fished for in Maine than any other place in the country. Harvested in streams on spring nights, the eels are sold for a pretty penny to Asian aquaculture companies. Unagi is what we get from full grown Elvers. \u003c\/p\u003e\n\u003cp\u003eThe shiny silver eels depicted in this porcelain wall piece eluded the nets. They easily swim between smooth rocks below the foamy surface. \u003c\/p\u003e\n\u003cp\u003e- Measures 7”  x 7”\u003cbr\u003e - Wood fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-02-02T21:13:55-05:00","created_at":"2021-07-06T12:28:20-04:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":17500,"price_min":17500,"price_max":17500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39343327314007,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCSET","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Elvers","public_title":null,"options":["Default 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Harvested in streams on spring nights, the eels are sold for a pretty penny to Asian aquaculture companies. Unagi is what we get from full grown Elvers. \u003c\/p\u003e\n\u003cp\u003eThe shiny silver eels depicted in this porcelain wall piece eluded the nets. They easily swim between smooth rocks below the foamy surface. \u003c\/p\u003e\n\u003cp\u003e- Measures 7”  x 7”\u003cbr\u003e - Wood fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/span\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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{"id":6584936792151,"title":"River Stones","handle":"river-stones","description":"\u003cp\u003eTurn it this way, turn it that. River Stones is more than it appears. This interactive sculpture by Tim Christensen is an art toy for grown ups.\u003c\/p\u003e\n\u003cp\u003eThe porcelain form, representative of a rock smoothed by the current, is decorated in carved water like lines and curves. Rounded crater-like grooves hold luminous glazed balls of varying size. When the orbs are moved from one divot to another they make a wonderful vibration and gentle tinging sound. Flip the whole piece over to reveal different size options.\u003c\/p\u003e\n\u003cp\u003eLike a river in ever-changing motion, River Stones evokes dynamic energy and the constant opportunity to see the piece in new ways. It is sure to be a playful conversation piece and a constant delight.\u003c\/p\u003e\n\u003cp\u003e- Measures 13” x 6.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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River Stones is more than it appears. This interactive sculpture by Tim Christensen is an art toy for grown ups.\u003c\/p\u003e\n\u003cp\u003eThe porcelain form, representative of a rock smoothed by the current, is decorated in carved water like lines and curves. Rounded crater-like grooves hold luminous glazed balls of varying size. When the orbs are moved from one divot to another they make a wonderful vibration and gentle tinging sound. Flip the whole piece over to reveal different size options.\u003c\/p\u003e\n\u003cp\u003eLike a river in ever-changing motion, River Stones evokes dynamic energy and the constant opportunity to see the piece in new ways. It is sure to be a playful conversation piece and a constant delight.\u003c\/p\u003e\n\u003cp\u003e- Measures 13” x 6.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\n\u003cp\u003e \u003c\/p\u003e"}

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With bold black trees, a geometric edge, and a footed bottom full of pattern and fish, this bowl can stand alone as a beautiful centerpiece or fill for celebrating with family and friends.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 4” x 10.25” \u003cbr\u003e - Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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Where salt meets fresh, green meets blue. Here we find the Kingfisher. Sitting in the branches over the sandy bank where they’ve built their nest burrow, scanning the clear waters for a meal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe small crested diver plunges into the depths with his broad bill set on his target. Popping back to the surface with his reward, a small fish or frog, he’ll carry down the corridor to his mate and hungry chicks. These brook trout may be a bit too big for him to catch. He can always sit and watch and dream. \u003c\/p\u003e\n\u003cp\u003eThis hand thrown porcelain bowl by Tim Christensen is inspired by the nature around his home and studio in Downeast Maine. With bold black trees, a geometric edge, and a footed bottom full of pattern and fish, this bowl can stand alone as a beautiful centerpiece or fill for celebrating with family and friends.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- Measures 4” x 10.25” \u003cbr\u003e - Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eTim began working in clay in 1999, and has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world, offering welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere”  tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live."}

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{"id":6657300758615,"title":"Yellow-Bellied Wormy Back","handle":"yellow-bellied-wormy-back","description":"\u003cp\u003eBring movement and beauty to any room with this whimsical ceramic salmonoid sculpture. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand. This interpretation has rich colors and a playful pixel-like surface detail with soft periwinkle and yellow pastel glaze.\u003c\/p\u003e\n\u003cp\u003e- Measures 17\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-24T15:17:06-04:00","created_at":"2021-11-24T09:48:08-05:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39496827338839,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLCFYBWB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yellow-Bellied Wormy Back","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682363639","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682363642","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363642"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682363639","options":["Title"],"media":[{"alt":"Ceramic Fish Sculpture Yellow Bellied Wormy Back Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658056618071,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682363639"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682363639","width":500},{"alt":"Ceramic Fish Sculpture Yellow Bellied Wormy Back Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658056683607,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682363642"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682363642","width":600},{"alt":"Ceramic Fish Sculpture Yellow Bellied Wormy Back Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658056650839,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363642"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Yellow-Bellied-Wormy-Back-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682363642","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBring movement and beauty to any room with this whimsical ceramic salmonoid sculpture. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand. This interpretation has rich colors and a playful pixel-like surface detail with soft periwinkle and yellow pastel glaze.\u003c\/p\u003e\n\u003cp\u003e- Measures 17\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6657300856919,"title":"Under Pressure","handle":"under-pressure","description":"\u003cp\u003eHang this beautiful ceramic salmonid on a wall to bring a sense of life and movement to any space. His fins appearing to twist and wave in the air, tail in a graceful arch. Luminous blue and green tones mimic the colors we see in fish as they spawn and grow throughout the years. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.75\" x 5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-24T15:28:54-04:00","created_at":"2021-11-24T09:49:28-05:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39496827666519,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLCFUP","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Under Pressure","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682364391","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682364391","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682364391"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682364391","options":["Title"],"media":[{"alt":"Ceramic Fish Sculpture Under Pressure Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658089943127,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682364391"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682364391","width":500},{"alt":"Ceramic Fish Sculpture Under Pressure Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658089877591,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682364391"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682364391","width":600},{"alt":"Ceramic Fish Sculpture Under Pressure Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658089910359,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682364391"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Under-Pressure-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682364391","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eHang this beautiful ceramic salmonid on a wall to bring a sense of life and movement to any space. His fins appearing to twist and wave in the air, tail in a graceful arch. Luminous blue and green tones mimic the colors we see in fish as they spawn and grow throughout the years. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.75\" x 5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6657302397015,"title":"Sleek Slider","handle":"sleek-slider","description":"\u003cp\u003eAs they move from the ocean back to their natal stream to spawn, salmons go through a major transformation. Colors deepen, bodies change, and jaws protrude - all for a final act that repeats each year. This ceramic version with its rich greens and shocks of pink and red may be ready for the big hurrah. Good luck! \u003c\/p\u003e\n\u003cp\u003eCreated by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 18.25\" x 6 \" x 2.75\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-24T15:41:38-04:00","created_at":"2021-11-24T09:52:34-05:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39496830189655,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLCFSS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sleek Slider","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682365275","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682365275","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682365273"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682365275","options":["Title"],"media":[{"alt":"Ceramic Fish Sculpture Sleek Slider Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658130182231,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682365275"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682365275","width":500},{"alt":"Ceramic Fish Sculpture Sleek Slider Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658130149463,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682365275"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail.jpg?v=1682365275","width":600},{"alt":"Ceramic Fish Sculpture Sleek Slider Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658130214999,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682365273"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Sleek-Slider-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682365273","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAs they move from the ocean back to their natal stream to spawn, salmons go through a major transformation. Colors deepen, bodies change, and jaws protrude - all for a final act that repeats each year. This ceramic version with its rich greens and shocks of pink and red may be ready for the big hurrah. Good luck! \u003c\/p\u003e\n\u003cp\u003eCreated by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 18.25\" x 6 \" x 2.75\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6660507762775,"title":"Dark Woods","handle":"dark-woods","description":"\u003cp\u003e“This is the forest primeval.” Longfellow wrote of hemlocks and pines, moss covered and rich with ancient knowledge. As we walk among them, the light filtered through towering conifers can play tricks on the eye. With so much to see it can be easy to miss what’s right before us.\u003c\/p\u003e\n\u003cp\u003eDark Woods brings the forest home to the viewer. The moments we often cannot see, hidden by the creatures that call the woods home. A bobcat slinking through the brush as a Fisher cat pops her head out of her den to stalk a porcupine. Trumpet and puffball mushrooms sprout through the damp earth as a snapping turtle lumbers towards a salmon stream. Winterberries, ferns and Jack In the Pulpit wind up the five part tower. Each section is its own world with new elements to discover.\u003c\/p\u003e\n\u003cp\u003e- Measures 13.75\" x 5.5\" \u003cbr\u003e- Wood fired porcelain \u003cbr\u003e- Stacking vessels, 5 total with lid\u003cbr\u003e- Every surface includes unique design\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e","published_at":"2022-12-01T16:25:23-05:00","created_at":"2021-11-28T13:23:29-05:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":340000,"price_min":340000,"price_max":340000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39499771740247,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCDAWO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dark Woods","public_title":null,"options":["Default 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USA","id":22219343036503,"position":7,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Environmental-Sgrafitto-Art-by-Tim-Christensen-Contemporary-Nature-Inspired-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail-5.jpg?v=1669929533"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/Environmental-Sgrafitto-Art-by-Tim-Christensen-Contemporary-Nature-Inspired-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-detail-5.jpg?v=1669929533","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e“This is the forest primeval.” Longfellow wrote of hemlocks and pines, moss covered and rich with ancient knowledge. As we walk among them, the light filtered through towering conifers can play tricks on the eye. With so much to see it can be easy to miss what’s right before us.\u003c\/p\u003e\n\u003cp\u003eDark Woods brings the forest home to the viewer. The moments we often cannot see, hidden by the creatures that call the woods home. A bobcat slinking through the brush as a Fisher cat pops her head out of her den to stalk a porcupine. Trumpet and puffball mushrooms sprout through the damp earth as a snapping turtle lumbers towards a salmon stream. Winterberries, ferns and Jack In the Pulpit wind up the five part tower. Each section is its own world with new elements to discover.\u003c\/p\u003e\n\u003cp\u003e- Measures 13.75\" x 5.5\" \u003cbr\u003e- Wood fired porcelain \u003cbr\u003e- Stacking vessels, 5 total with lid\u003cbr\u003e- Every surface includes unique design\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6660526997591,"title":"Dory","handle":"dory","description":"\u003cp\u003eWith the longest coastline in the lower forty-eight, 6,000 lakes, and over 32,000 miles of running water, it only makes sense the Maine is known for a history steeped in boatbuilding. From Old Town canoes to the steel giants of Bath Iron Works, hand-crafted skiffs at The Carpenter’s Boat Shop to industrious tugs built by Washburn and Doughty. It’s fair to say we love our boats.\u003c\/p\u003e\n\u003cp\u003eAside from contributing to the economy, Maine’s boating tradition helps us connect in unique ways with the natural world. Tuck into a hidden cove, find a group of stripers under a bridge, paddle out to camp on an island surrounded by loon song. The possibilities for beautiful adventure are just a few oar strokes away.\u003c\/p\u003e\n\u003cp\u003eDory by Tim Christensen can remind you love of a good drift even when the streams are frozen over. The traditional style canoe is formed in porcelain and wood fired. Sgraffito patterns of waving current and tiny air bubbles dance along the underside while a lone salmon lays across the center yoke.\u003c\/p\u003e\n\u003cp\u003eKeep your paddle handy, the streams always thaw.\u003c\/p\u003e\n\u003cp\u003e- Measures 11.75\" x 4\" x 2.25\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. 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USA","id":22382325137495,"position":6,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgrafittoArtbyTimChristensenContemporaryNatureInspiredCeramicDoryMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-3.jpg?v=1675389149"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgrafittoArtbyTimChristensenContemporaryNatureInspiredCeramicDoryMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-3.jpg?v=1675389149","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWith the longest coastline in the lower forty-eight, 6,000 lakes, and over 32,000 miles of running water, it only makes sense the Maine is known for a history steeped in boatbuilding. From Old Town canoes to the steel giants of Bath Iron Works, hand-crafted skiffs at The Carpenter’s Boat Shop to industrious tugs built by Washburn and Doughty. It’s fair to say we love our boats.\u003c\/p\u003e\n\u003cp\u003eAside from contributing to the economy, Maine’s boating tradition helps us connect in unique ways with the natural world. Tuck into a hidden cove, find a group of stripers under a bridge, paddle out to camp on an island surrounded by loon song. The possibilities for beautiful adventure are just a few oar strokes away.\u003c\/p\u003e\n\u003cp\u003eDory by Tim Christensen can remind you love of a good drift even when the streams are frozen over. The traditional style canoe is formed in porcelain and wood fired. Sgraffito patterns of waving current and tiny air bubbles dance along the underside while a lone salmon lays across the center yoke.\u003c\/p\u003e\n\u003cp\u003eKeep your paddle handy, the streams always thaw.\u003c\/p\u003e\n\u003cp\u003e- Measures 11.75\" x 4\" x 2.25\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. \u003c\/span\u003e\u003cspan\u003eSchools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003c\/span\u003e\u003c\/p\u003e\nFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live."}

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{"id":6660531454039,"title":"Here’s to you UFO Driver Cup","handle":"here-s-to-you-ufo-driver-cup","description":"\u003cp\u003eHere in Maine we have the gift of dark, star filled skies. Looking up to the vast depths of the universe it’s easy to question “Are we alone?” We believe the more the merrier so, Cheers! To friends and neighbors, whether they be next door or a few light years down the way.\u003c\/p\u003e\n\u003cp\u003eWhat do you think fills intergalactic cups? We can only dream and wonder over tea or whiskey with our terrestrial companions. Raise a glass (or a hand thrown porcelain cup) to curiosity and the cosmos.\u003c\/p\u003e\n\u003cp\u003e- Measures 2.75\" x 3.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e - Wash by hand\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. 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Looking up to the vast depths of the universe it’s easy to question “Are we alone?” We believe the more the merrier so, Cheers! To friends and neighbors, whether they be next door or a few light years down the way.\u003c\/p\u003e\n\u003cp\u003eWhat do you think fills intergalactic cups? We can only dream and wonder over tea or whiskey with our terrestrial companions. Raise a glass (or a hand thrown porcelain cup) to curiosity and the cosmos.\u003c\/p\u003e\n\u003cp\u003e- Measures 2.75\" x 3.5\"\u003cbr\u003e - Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e - Wash by hand\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6660533518423,"title":"Octopods Cup","handle":"octopods-cup","description":"\u003cp\u003eA tangle of tentacles, an undulation of octopuses. There is not really a collective noun since the octopus is typically a solitary creature - unlike a shoal of squid. Nature is always surprising us however. A few years back a community of octopuses were discovered off the coast of Australia.\u003c\/p\u003e\n\u003cp\u003eDubbed Octopolis, scientists have discovered dens made of shells and debris and a surprising number of eight legged inhabitants. The community has all the trappings of local drama, disputes over territory, finding a suitable mate in a neighbor, home takeovers. It’s hopefully a little more intense than our land issues, but we can appreciate the passion.\u003c\/p\u003e\n\u003cp\u003eBy looking upon this graceful form covered in creatures swimming this way and that, one can only wonder. Are they friends, lovers, enemies? I’m sure they know something we don’t. Let’s keep watching and hope to find out.\u003c\/p\u003e\n\u003cp\u003e- Measures 3\" x 3.75\"\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e","published_at":"2023-02-02T23:05:20-05:00","created_at":"2021-11-28T14:10:11-05:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":16000,"price_min":16000,"price_max":16000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39499783176279,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCOCTCUP","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Octopods Cup","public_title":null,"options":["Default Title"],"price":16000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675397090","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675397090","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-1.jpg?v=1675397090"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675397090","options":["Title"],"media":[{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Octopods Cup Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382901887063,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675397090"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675397090","width":500},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Octopods Cup Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382901821527,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675397090"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675397090","width":600},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Octopods Cup Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382901854295,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-1.jpg?v=1675397090"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicOctopodsCupMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-1.jpg?v=1675397090","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA tangle of tentacles, an undulation of octopuses. There is not really a collective noun since the octopus is typically a solitary creature - unlike a shoal of squid. Nature is always surprising us however. A few years back a community of octopuses were discovered off the coast of Australia.\u003c\/p\u003e\n\u003cp\u003eDubbed Octopolis, scientists have discovered dens made of shells and debris and a surprising number of eight legged inhabitants. The community has all the trappings of local drama, disputes over territory, finding a suitable mate in a neighbor, home takeovers. It’s hopefully a little more intense than our land issues, but we can appreciate the passion.\u003c\/p\u003e\n\u003cp\u003eBy looking upon this graceful form covered in creatures swimming this way and that, one can only wonder. Are they friends, lovers, enemies? I’m sure they know something we don’t. Let’s keep watching and hope to find out.\u003c\/p\u003e\n\u003cp\u003e- Measures 3\" x 3.75\"\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Wash by hand\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6660538073175,"title":"Night, Early Summer","handle":"night-early-summer","description":"\u003cp\u003eI wandered lonely as a cloud\u003cbr\u003eThat floats on high o’er vales and hills\u003cbr\u003eWhen all at once I saw a crowd\u003cbr\u003eA host of golden daffodils\u003cbr\u003eBeside the lake, beneath the trees\u003cbr\u003eFluttering and dancing in the breeze\u003cbr\u003e                         -William Wordsworth\u003c\/p\u003e\n\u003cp\u003eNot much says Spring is here quite like the blooming daffodils. Bright almost fluorescent against the still greening grass, they are early messengers of emerging color. To share a bouquet is to celebrate new beginnings and friendship.\u003c\/p\u003e\n\u003cp\u003eWhile this salt-fired porcelain piece may not bear the vibrant yellow of its honoree, the luminosity is very much there. Bright lines against the dark background capture a full posey to be enjoyed while sitting in a favorite chair. Welcome Spring, we’ve missed you so!\u003c\/p\u003e\n\u003cp\u003eA great technical detail to this piece is the wall hanging component made of wood and a metal tack to safely install the artwork to have it display an inch away from the wall. The effect is shadow play that pokes fun of the dimensionality of flattening imagery through the Sgraffito craft form.\u003c\/p\u003e\n\u003cp\u003e- Measures 8.25” x 7.75”\u003cbr\u003e - Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Installation component included\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e","published_at":"2023-02-02T22:47:34-05:00","created_at":"2021-11-28T14:18:01-05:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":55000,"price_min":55000,"price_max":55000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39499783798871,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCNES","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Night, Early Summer","public_title":null,"options":["Default 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Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Night Early Summer Daffodil Wall Tile Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382860599383,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicNightEarlySummerDaffodilWallTileMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675395998"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicNightEarlySummerDaffodilWallTileMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675395998","width":500},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Night Early Summer Daffodil Wall Tile Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382860632151,"position":2,"preview_image":{"aspect_ratio":1.545,"height":400,"width":618,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicNightEarlySummerDaffodilWallTileMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675395998"},"aspect_ratio":1.545,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicNightEarlySummerDaffodilWallTileMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675395998","width":618},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Night Early Summer Daffodil Wall Tile Midcoast Maine Artisan Store The Good Supply Pemaquid Made in 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the breeze\u003cbr\u003e                         -William Wordsworth\u003c\/p\u003e\n\u003cp\u003eNot much says Spring is here quite like the blooming daffodils. Bright almost fluorescent against the still greening grass, they are early messengers of emerging color. To share a bouquet is to celebrate new beginnings and friendship.\u003c\/p\u003e\n\u003cp\u003eWhile this salt-fired porcelain piece may not bear the vibrant yellow of its honoree, the luminosity is very much there. Bright lines against the dark background capture a full posey to be enjoyed while sitting in a favorite chair. Welcome Spring, we’ve missed you so!\u003c\/p\u003e\n\u003cp\u003eA great technical detail to this piece is the wall hanging component made of wood and a metal tack to safely install the artwork to have it display an inch away from the wall. The effect is shadow play that pokes fun of the dimensionality of flattening imagery through the Sgraffito craft form.\u003c\/p\u003e\n\u003cp\u003e- Measures 8.25” x 7.75”\u003cbr\u003e - Salt-fired porcelain\u003cbr\u003e- Sgraffito\u003cbr\u003e- Installation component included\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6748049801303,"title":"Mixed Flock, Roque Bluffs February","handle":"mixed-flock-roque-bluffs-february","description":"\u003cp\u003eThe flutter of Nuthatch, Downy Woodpecker, and Chickadee wings are present year-round at our bird feeders here in Maine. Hardy little bodies dash from feeder to tree and back again, filling their beaks with seeds. Deep in the snow filled woods they perch, fluffed against the chill they chatter about the coming spring and the delicious things they plan to eat. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTurn this jar around and around again to discover a scene full of winter birdsong, calls of anticipation for sun filled days. Hand thrown porcelain has been formed in an elegant rounded form with a delicate foot. \u003cbr style=\"font-weight: 400;\"\u003e\u003cbr\u003e- Measures 4\" x 8.5\"\u003cbr\u003e - Wood-fired porcelain \u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e","published_at":"2023-02-02T22:29:11-05:00","created_at":"2022-04-04T14:40:31-04:00","vendor":"Tim Christensen","type":"","tags":[],"price":75000,"price_min":75000,"price_max":75000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39682739601495,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCMIXRB","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mixed Flock, Roque Bluffs February","public_title":null,"options":["Default Title"],"price":75000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675394857","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675394857"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675394857","options":["Title"],"media":[{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Mixed Flock Bird Vase Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382807482455,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675394857"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA-square.jpg?v=1675394857","width":500},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Mixed Flock Bird Vase Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382807515223,"position":2,"preview_image":{"aspect_ratio":1.203,"height":400,"width":481,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675394857"},"aspect_ratio":1.203,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicMixedFlockBirdVaseMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675394857","width":481}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe flutter of Nuthatch, Downy Woodpecker, and Chickadee wings are present year-round at our bird feeders here in Maine. Hardy little bodies dash from feeder to tree and back again, filling their beaks with seeds. Deep in the snow filled woods they perch, fluffed against the chill they chatter about the coming spring and the delicious things they plan to eat. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTurn this jar around and around again to discover a scene full of winter birdsong, calls of anticipation for sun filled days. Hand thrown porcelain has been formed in an elegant rounded form with a delicate foot. \u003cbr style=\"font-weight: 400;\"\u003e\u003cbr\u003e- Measures 4\" x 8.5\"\u003cbr\u003e - Wood-fired porcelain \u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt- and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003cbr\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6765047513175,"title":"Female Hooded Merganser","handle":"female-hooded-merganser","description":"\u003cp\u003eYear-round the Hooded Merganser paddles through the waterways of Maine. The only of its species native to North America, the small but hearty waterfowl is always a treat to see. The male Hooded Merganser is easily recognizable with his bright white crest and piercing yellow eyes. Like many female birds, the hen is more muted. Still sporting a bold crest her colors are a lovely range of warm browns, better for nesting camouflage. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's Female Hooded Merganser may not have the color and markings of her animated counterpart. Her form and beauty are captured in elegantly etched porcelain, illuminated by the glow only achieved by a wood fired kiln. \u003c\/p\u003e\n\u003cp\u003e- Measures 6.5\" x 12\" x 4\"\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e","published_at":"2023-02-02T21:21:09-05:00","created_at":"2022-06-07T16:03:00-04:00","vendor":"Tim Christensen","type":"Fine Art","tags":[],"price":120000,"price_min":120000,"price_max":120000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39791678586967,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TCFHM","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Female Hooded Merganser","public_title":null,"options":["Default Title"],"price":120000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSAsquare.jpg?v=1675390844","\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675390844"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSAsquare.jpg?v=1675390844","options":["Title"],"media":[{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Female Hooded Merganser Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382508703831,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSAsquare.jpg?v=1675390844"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSAsquare.jpg?v=1675390844","width":500},{"alt":"Environmental Sgraffito Art in Porcelain by Tim Christensen Contemporary Nature-inspired Ceramic Female Hooded Merganser Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22382508736599,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675390844"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/products\/EnvironmentalSgraffitoArtinPorcelainbyTimChristensenContemporaryNature-inspiredCeramicFemaleHoodedMerganserMidcoastMaineArtisanStoreTheGoodSupplyPemaquidMadeinUSA.jpg?v=1675390844","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eYear-round the Hooded Merganser paddles through the waterways of Maine. The only of its species native to North America, the small but hearty waterfowl is always a treat to see. The male Hooded Merganser is easily recognizable with his bright white crest and piercing yellow eyes. Like many female birds, the hen is more muted. Still sporting a bold crest her colors are a lovely range of warm browns, better for nesting camouflage. \u003c\/p\u003e\n\u003cp\u003eTim Christensen's Female Hooded Merganser may not have the color and markings of her animated counterpart. Her form and beauty are captured in elegantly etched porcelain, illuminated by the glow only achieved by a wood fired kiln. \u003c\/p\u003e\n\u003cp\u003e- Measures 6.5\" x 12\" x 4\"\u003cbr\u003e- Wood-fired porcelain\u003cbr\u003e- Sgraffito\u003c\/p\u003e\n\u003cp\u003eCeramic artist Tim Christensen divides his time between Portland and Downeast Maine. At his off-grid studio Tim finds inspiration for his porcelain pieces. Schools of herring, flocks of chattering songbirds, and all matter of sea life are skillfully carved on the surfaces of his hand-thrown and constructed forms.\u003cbr\u003e\u003cbr\u003eTim began working in clay in 1999, and he has been etching his black and white pieces since 2004. Using the centuries-old decorative technique of Sgraffito, Tim carves intricate worlds teeming with life and energy. Firing much of his work at Watershed Center for Ceramic Art in Newcastle, Maine, Tim finds that the collaborative Midcoast institution's salt and wood-fire kilns add variety and allow for the possibility of happy accidents, which are common in the ceramic world and offer welcome play on the artist's meticulous carvings.\u003cbr\u003e\u003cbr\u003eTim has shown his work around the world and recently completed his first book. Written with co-author Carri Lange, “Reflect, Adapt, and Persevere” he tells of his travels and thoughts on environmental philosophy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003cbr\u003e\u003cbr\u003eMy work is about the ever-changing web of relationships that surround us. Individuals make contact to create relationships, relationships collide to create systems. These systems change over time in response to the other systems around them. I envision my world as an infinite collection of active counterparts, individuals symbiotically wriggling and moving and jostling for space and resources. \u003cbr\u003e\u003cbr\u003eIn this sea of systems, of relationships, I sit and try to untangle it, sit and try to communicate what I see changing, being created, or disappearing into the past. \u003cbr\u003e\u003cbr\u003eThis is why I work in our most durable medium, porcelain, and in our longest unbroken historical record, pottery. My work, functional in the information I convey, will be understandable to anyone with an eyeball and the ability to think abstractly. \u003cbr\u003e\u003cbr\u003eMy goal is to make work which still speaks clearly in 10,000 years, and more importantly, to convey the complexity and richness of the world in which I am most fortunate to live.\u003c\/p\u003e"}

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{"id":6777194741847,"title":"Dripping Salmon","handle":"dripping-salmon","description":"\u003cp\u003eLike the water slinking off the edge of an oar, the surface of this wall mounted salmon appears as fluid as a running brook. Gray-blue and pink accented fins give a lifelike appearance that upon closer look has a nod to whimsy. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-24T16:14:00-04:00","created_at":"2022-07-12T16:10:48-04:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39827675676759,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLDRSA","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dripping Salmon","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682367202","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682367202"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682367202","options":["Title"],"media":[{"alt":"Ceramic Fish Sculpture Dripping Salmon Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658227175511,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682367202"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682367202","width":500},{"alt":"Ceramic Fish Sculpture Dripping Salmon Handmade by BLAM Ceramics Midcoast Maine Artisan Store The Good Supply Pemaquid Made in USA","id":22658227142743,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682367202"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Dripping-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682367202","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLike the water slinking off the edge of an oar, the surface of this wall mounted salmon appears as fluid as a running brook. Gray-blue and pink accented fins give a lifelike appearance that upon closer look has a nod to whimsy. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents with rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6777199919191,"title":"Gonzo Salmon","handle":"gonzo-salmon-1","description":"\u003cp\u003eA little bit pop art and a little bit Frankenstein. This ceramic salmonid is sure to add a sense of playfulness and curiosity to any space. The bold eccentric circles and stitching details along his fins seem to have this fish a little perplexed by his appearance. We think he looks just great! Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents, rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 18\" x  6\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-04-28T11:50:24-04:00","created_at":"2022-07-12T16:23:14-04:00","vendor":"Blam Ceramics","type":"Fine Art","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39827687931991,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLGOZS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gonzo Salmon","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682368684","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682368684","\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-1.jpg?v=1682368677"],"featured_image":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682368684","options":["Title"],"media":[{"alt":"Store The Good Supply Pemaquid Made in USA","id":22658296578135,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682368684"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-square.jpg?v=1682368684","width":500},{"alt":"Store The Good Supply Pemaquid Made in USA","id":22658296545367,"position":2,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682368684"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA.jpg?v=1682368684","width":600},{"alt":"Store The Good Supply Pemaquid Made in USA","id":22658296610903,"position":3,"preview_image":{"aspect_ratio":1.5,"height":400,"width":600,"src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-1.jpg?v=1682368677"},"aspect_ratio":1.5,"height":400,"media_type":"image","src":"\/\/www.thegoodsupply.org\/cdn\/shop\/files\/Ceramic-Fish-Sculpture-Gonzo-Salmon-Handmade-by-Blam-Ceramics-Midcoast-Maine-Artisan-Store-The-Good-Supply-Pemaquid-Made-in-USA-1.jpg?v=1682368677","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA little bit pop art and a little bit Frankenstein. This ceramic salmonid is sure to add a sense of playfulness and curiosity to any space. The bold eccentric circles and stitching details along his fins seem to have this fish a little perplexed by his appearance. We think he looks just great! Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents, rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 18\" x  6\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Benjamin was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Benjamin received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University in Berea, OH where he teaches ceramics and sculpture and exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that lets me play and experiment.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish as well as patterns and textures found in human-created waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally-inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}

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{"id":6778702200919,"title":"Homeward Bound","handle":"homeward-bound","description":"\u003cp\u003eWith one powerful flick of the tail the fish leaps from the water in a rainbow dappled spray. Hanging this beautiful ceramic salmonid on a wall brings a sense of life and movement to your space. Luminous greens and rust tones mimic the colors we see in fish as they spawn and grow throughout the years. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents, rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Ben was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Ben received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University, in Berea, OH where he teaches ceramics and sculpture. Ben has taught and been an assistant at various craft schools and he exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that I can play and experiment with.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay, and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish, as well as patterns and textures found in human-made waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e","published_at":"2023-11-03T11:11:15-04:00","created_at":"2022-07-15T09:36:31-04:00","vendor":"Blam Ceramics","type":"Ceramic","tags":[],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39831376232535,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BLHMB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Homeward Bound","public_title":null,"options":["Default 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Hanging this beautiful ceramic salmonid on a wall brings a sense of life and movement to your space. Luminous greens and rust tones mimic the colors we see in fish as they spawn and grow throughout the years. Created by Benjamin Lambert of BLAM Ceramics who is inspired by what lies beneath the surface of the lakes and streams he frequents, rod and reel in hand.\u003c\/p\u003e\n\u003cp\u003e- Measures 17.5\" x 6.5\" x 3.5\"\u003cbr\u003e - Ceramic\u003cbr\u003e - Wire mount on back\u003c\/p\u003e\n\u003cp\u003eBenjamin Lambert was born and raised near the Androscoggin River where he gained an appreciation for environmental stewardship. As an avid fisherman, his love for the outdoors is reflected in his subject matter. While attending Leavitt Area High School in Turner, Maine, Ben was taught by fellow ceramic (and Good Supply) artist Jonathan Mess.\u003c\/p\u003e\n\u003cp\u003eIn 2008, Ben received a B.F.A. with a concentration in ceramics from the University of Southern Maine. In 2010, he worked as a summer staff member at Watershed Center for the Ceramic Arts in Newcastle, Maine. He later received an MFA in Ceramics and Sculpture in 2015 at Edinboro University of Pennsylvania.\u003c\/p\u003e\n\u003cp\u003eBenjamin is currently an Assistant Professor of Art at Baldwin Wallace University, in Berea, OH where he teaches ceramics and sculpture. Ben has taught and been an assistant at various craft schools and he exhibits his work nationally.\u003c\/p\u003e\n\u003cp\u003eFrom the Artist:\u003c\/p\u003e\n\u003cp\u003eThese fish are an exploratory aspect of my artistic practice. The ceramic process of glazing and surface application is often a mystery because of how much glaze materials can transform through the firing process. These fish provide me with a format that I can play and experiment with.\u003c\/p\u003e\n\u003cp\u003eThe forms are made similarly to an article of clothing. I trace handmade templates on flat sheets of clay, and join the edges together to make fish \"blanks\" that I can then alter and apply anatomical, expressive, and imaginative information. The symbols and imagery that are carved into the soft clay are inspired by patterns and colors found on some of my favorite fish, as well as patterns and textures found in human-made waste.\u003c\/p\u003e\n\u003cp\u003eWhile it's common for sculptural ceramics to be fired many times to achieve the desired result, I limit myself to one bisque firing and one glaze firing. This limitation minimizes my potential energy footprint and makes me feel less conflicted about making environmentally inspired works. It also challenges me to problem solve ways to achieve glaze surfaces that are as rich in color and texture as I can muster with fewer trips to the kiln. The surfaces that I discover through the process of making these fish greatly support how I decide to finish my larger, more time-consuming sculptures.\u003c\/p\u003e"}